This evening Camilla's mother will take care of Livia, who is complaining about the dog again. Camilla and her husband go to the opening of an art gallery, where they have a hard time finding the appropriate words when meeting the artist.

A harmless waste paper basket fire in the classroom gives our Professor an idea. She engages the help of one of her students.

Camilla has gotten quite a scare, but fortunately, she's fine. She has two conversations, one with the police inspector and one with her husband.

Camilla isn't capable of saying no, even when she says no. But she's taking a huge risk for her student, Sammy.

Our schoolteacher is having trouble on all fronts: with the police, with Sammy's father, with her husband, and with the principal. Sammy is sorry, but that doesn't fix things.

In this last segment we find out what happened to Aldo and his wife. We don't know if everyone will live happily ever after, but for now, it's all good.

Paolo, with the help of Natoli, of course, is able to save the situation, and the workers are truly grateful. He pays a visit to the cemetery to talk to his brother Aldo.

We suspected that something would happen as a result of Camilla's taking her husband's car, and sure enough... Meanwhile, her husband and daughter are getting ready to leave for the soccer game.

Paolo and Natoli have some unforeseen difficulties getting to the factory, and when they finally do arrive, nothing is as it should be.

Our teacher is a good sleuth, but cooking is not her strong point, and her Indian sesame breadsticks don't make a huge hit at home, either.

Paolo has to gather all his wits to figure out what's happening in the company. He confronts Salmastri, but Salmastri is truly slippery, and not to be underestimated.

Our professoressa finds herself involved in trying to solve the case. She seems to be enjoying it, too.

There's a strike going on in the factory, and some dirty dealings going on, too. Meanwhile Paolo, with Natoli's expert help, is doing what he can to figure things out.

The sad occasion of a funeral is also a good place to observe the people who attend.

Paolo clearly cares more about Natoli than his car, Manuela thinks Paolo is like the other bosses, and Natoli is becoming resigned to going back to his country. It's a mess.