The Taviani brothers, as well as others in the filmmaking world, talk about what acting means, and how each actor brings something different to telling the story.

Saverio Marconi talks about the job of an actor. Nanni Moretti tells of an embarrassing moment on the set of a movie he was making with the Taviani brothers. Vittorio and Paolo Taviani talk about why they shot Caesar Must Die in black and white.

The Taviani brothers, at around eighty years of age, feel like they have gone back to their more reckless early days, with Caesar Must Die.

Nanni Moretti tells about how he got to see Caesar Must Die before it was released. The composer, Giuliano Taviani talks about how he became interested in writing music for film, and how budget limits actually inspired him in writing the music for this movie.

Music plays an essential role in the films of the Taviani brothers. It's like having another actor. Composer Nicola Piovani knows something about this having worked with them on some of their movies. He also composed the soundtrack for the movie La Vita è Bella (Life is Beautiful) with Roberto Benigni.

Music and sound have major roles in the movies of the Taviani brothers. Notably, the tarantella from Allonsanfàn, written by Ennio Morricone, was also used by Tarantino in one of his movies, and that's when it became famous.

We learn about the ideas behind the movies, Father and Master and The Night of the Shooting Stars, and how music played a major role in both movies.

The Taviani brothers were adolescents during World War II, and talk about how tense it was growing up with the Germans and fascists so close by. A woman at a bar gives them directions to find one of the locations for filming The Night of the Shooting Stars.

The Taviani brothers reveal some tricks used during the filming of The Night of San Lorenzo and tell us how they managed to combine a particular sequence of the film with the cornerstone of Greek literature, The Iliad.

It's not often that two people, let alone brothers, can work together in perfect harmony. But artists who have worked with the Taviani brothers say they came very close. Paolo and Vittoio knew what they wanted and they knew how they wanted to obtain it, down to the letter.

This is the final installment of the documentary dedicated to the Taviani brothers. It concludes as they do some location scouting in the marvelous old city of Montepulciano for Maraviglioso Boccaccio (Wondrous Boccaccio), a 2015 film. Vittorio Taviani died in 2015 at the age of 88, and Paolo is 89 and still making films.

Fulvio and Fabia take turns reading an extract from the book, Crimine infinito (Infinite Crime). The novel is based on the true story of a soccer player who gets involved in the 'Ndrangheta, the Calabrian organized crime syndicate.

We're at a police station, where the printer is acting up and a phone call comes in from a patrol car. We also hear what happens after the soccer game when the president of the Teramo Calcio comes to congratulate the team.

Inspector Barreca gets to where the Italo-Australian has been stopped and fiddles with something without being seen. In the locker room of the stadium, Del Vento enjoys his victory shower, a moment he always looks forward to. Then he sets out towards Calabria to visit some relatives.

Tex Willer is the main fictional character of the Italian comics series Tex, first published in Italy in 1948. The series is an Italian take on the American Old West.