In the eighteenth centiury, the San Carlo Theater was a magnificent center for opera and culture, and still is today. It's one of the most beautiful theaters in all of Europe.

Oriana visits an orphanage and it has a long-lasting effect on her that she will never forget.

The winner of Sanremo is announced, and the news travels fast. The winning song makes Italians feel optimistic after the terrible war and postwar periods.

Camilla brings in Luca, but first she discusses the case with Berardi. Of course, she sees something in the letter made up of magazine clippings that the Chief had missed.

Guido is at work and finds himself treating an interesting patient. Grandpa Libero is starting a vegetable garden, and Grandma Enrica shows up.

Romaniello opens up to Imma and shows his true colors. Imma takes her mom home, but the apartment seems unfamiliar to her with its modern conveniences like a TV, and running water.

Pimpa has to stay home to do homework but she gets distracted... by a frog! Rachele loves to sing but is very hoarse. Pimpa helps out and learns a bit of "frogese" in the process.

Our journey takes us to the region of Campania, and to Naples, where we visit one of the oldest theaters still functioning: il Teatro San Carlo.

Oriana finally meets General Loan and interviews the three prisoners.

The big night arrives and we, along with so many watching him on black and white TV, finally hear the song in Modugno's performance at Sanremo. It was a moment of great pride and optimism for Italy.

Renzo and Camilla discuss their marriage. Marchesi shows up in front of Camilla's house with a passenger on his scooter. Torre shows up at police headquarters with a pile of papers from Rotunno's office.

We learn a bit more about Alberto's personal life, as some friends come to see him. Grandpa Libero finally gets to tell his story to Guido, and Annuccia has some pointed questions for her grandma.

Imma calls Romaniello in and tells him her version of the story.

Amalfi's cathedral is one of the best known and most interesting buildings of the entire Amalfi coast. Alberto Angela points out some elements that have clear links to cultures far away, geographically, and in time.

Oriana goes to see François Pelou and then gets permission to interview the prisoners who had been sentenced to death.