The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Detective Lojacono is transferred to a police station that is considered to be the worst of the worst. Judging from his first encounter there, it seems he has his work cut out for him.

Detective Lojacono meets his team and learns why they talk about the "bastards." He also learns what the future holds for the police station.

Special agent Aragona read the files on all his colleagues and relates his findings to Lojacono. And we find out what Lojacono did, too. We also discover where he has his meals.

At the police station, Lojacono takes a phone call about a homicide. The team has been instructed expressly not to take on anything other than ordinary business. This is decidedly not ordinary business, but Lojacono is no ordinary policeman, apparently.

Lojacono has a careful look at the corpse and the surrounding area and draws some conclusions. His superior shows up and naturally wants to put Lojacono in his place, sending him right back to the station house, with the district attorney looking on.

Commissioner Palma is quite angry with Lojacono for disobeying his express orders not to handle any homicides. Meanwhile, a call comes in from a peculiar old lady and two agents go to check out her story.

Di Nardo and Romano decide to check out the apartment across the street, without much hope of success. That evening, there is news on TV about the murder and both Lojacono and the district attorney tune in from their respective apartments.

The DA has asked Lojacono to meet her for coffee. They joust a bit, but the DA has seniority and gets some answers from him.

The "burglary gone wrong" is in the news and is not reflecting well on the city of Naples. The commissioner has summoned Palma and Lojacono to talk about this and makes a surprising decision.

Lojacono, Aragona, and DA Piras go back to the crime scene to have a better look at the victim's collection of glass balls. The DA and Lojacono exchange ideas about the murder, but then he and Aragona have to go back to the station house.