It's one in the morning, and Grandma Enrica is freaking out because Maria is still missing. They should call the police but don't have a phone. Things are bad. But then...

Commissario Manara is back, this time in a hotel room with leaky water pipes. But he's off to solve another murder case which seems to have something to do with music.

During Grandpa's afternoon nap, Maria goes out without telling anybody. So now everyone is worried sick that something has happened to her.

Lele visits Sandra's parents to tell them about her pregnancy. He has trouble getting the words out, but in the end, that's a good thing.

Anna shares Giuseppe Verdi's tragic story of love, war and taboo in ancient Egypt.

Verdi's Rigoletto: intrigue, love, passion and cruelty. Brought to you by Anna and Marika.

If Manara thinks his boss is going to pat him on the back for having solved the case, he's mistaken. Not all is lost, however, for Malvina and the Count. With Lara, though, things don't quite go the way he'd hoped.

Maria goes to see her aunt for some heart to heart talking between women. And Martini talks to his colleagues about Sandra's pregnancy.

Malvina owns up to her actions regarding Charles Ferrant and his threats.

Lele starts worrying about his own daughter, and when, that same evening, she asks him to go to a birthday party he has a hard time being objective.

Cione is allowed to go home after Lapo admits to the shooting. However, some aspects of the investigation, like the mysterious blood stain in the cellar, still don't square.

At the hospital, Lele gets a visit from Sandra, a teenager he's known since she was a little girl. She's now gotten herself in big trouble and is looking for advice.

While Cioni is questioned by Manara, Count Lapo returns on the scene. Unfortunately, his memory of what happened is very imperfect.

The Martini family hasn't completely settled into the new house yet, so everyone is on edge, and just getting through breakfast and out the door is a huge challenge.

Manara obtains a warrant and brings Cioni in for questioning. Cioni continues to deny any meeting with the Count. This become untenable when he's asked to consider that his fingerprints are on a glass in the Count's cellar.