Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

What do we call the people we are writing to if they are professionals? Daniela gives us some answers. And she gives us some practical examples about how to actually begin writing the body of the letter.

Actor Giulio Brogi talks about how his role in "The Subversives" mirrored his character at the time. The Taviani brothers describe how they found another actor in that film, young Lucio Dalla, the famous (and now deceased) singer-songwriter.

The next step is to go to the cemetery. Anna is being her bossy self, and Orazio is trying to resist.

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

The wedding is beginning, and the bride is ecstatic, but what about the singer everyone is counting on?

After what Dante saw, he has questions. Eva can't provide answers. The tension can be cut with a knife!

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

As you shall see, Italian has a range of salutations at the beginning of formal or business letters, where various adjectives are used in place of "dear." Not only that! They also have curious abbreviations to be familiar with.

San Miniato is where the Taviani brothers were born, but it was also the birthplace of their careers in filmmaking. Their first was a documentary and right away they had some problems with censorship.

After Anna and Orazio visit the fertility seat in Naples, they decide to stop in a bar for a cup of coffee.

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.

It's not easy convincing donna Olimpia who is no longer of sound mind, but Nora gets an idea. Meanwhile, just about everything is ready for Azzurra's wedding.

Eva reads the message, which, of course is from Max. She has no choice but to meet up with him. Her life just got even more complicated than it was already!

Renzo and Camilla go out to dinner to celebrate their tenth anniversary. However, among the other guests are people they recognize...

Knowing how to write a formal letter is very important, especially if we are looking for a job, making a complaint, or even just trying to get some information. Daniela shows us how.

The Taviani brothers talk about how, as young movie lovers, they would grab their bikes and go to whatever movie theater in the area was showing their favorite films. Then they had to go to the big city, Rome, to pitch their first documentary. They learned a valuable lesson.

The pranotherapist assumes Anna is the one in need of therapy. After clarifying, she tries to tell the pranotherapist how to do his job.

Marika tells us about parks and what we find there, and also what we can do there.

This magnificent, colorful tomb, twenty-five hundred years old, depicts a banquet in honor of the deceased, clearly a young man. It's a virtual time capsule.

Poor Azzurra doesn't really know what she wants, and she spies another dress she likes, thanks to Ugo's cleverness. But the wedding planners still have huge problems to solve.

Gargani is in for a surprise at the exam. Ilaria gets an anonymous donation for her hospital in Mogadishu.

Camilla and Gaetano recap the crime and discuss which one of them was right about what occurred. The Levrone family comes to say goodbye and announce their plans.

The Taviani brothers lived through the war, so they had a good feel for the terror people felt. But as kids they were also very much affected by the movies offered at the time.