Marika introduces a mini-series devoted to the story of a family that has decided to share their Covid-19 experience.

Ennio Morricone talks about what it means to be a composer and Nicola Piovani talks about the music he composed for Ennio Morricone's birthday celebrations in his later years.

Normally, someone else writes your obituary when you die, but Ennio Morricone wrote his own! His attorney was authorized to read it aloud in public, and here it is.

Ennio Morricone was best known for his unforgettable movie soundtracks. In fact his music was featured in over sixty prize-winning films.

Italy is being pushed to its limits right now, but hope never dies. Even though people have to stay home, there is a feeling of solidarity and positivity. Marika describes some of the initiatives that have taken form.

Marino meets Silvana and they start chatting by the sea. They discover that their professions are related (naturopathy and body-psychotherapy) and they enjoy sharing ways of looking at emotions and symbols.

Adriano has to go back to Ivrea because of a death in the family, and that's where this first episode leaves us. It is interesting to note all the kinds of professionals who contributed to producing this biopic.

Adriano and Grazia start seeing each other romantically, but her parents do not approve because of the age difference and because Adriano is still a married man.

Adriano tells Grazia his ideas for a new kind of city. Back at the factory, cuts are being made, and there is talk of layoffs. We also discover an ironic fact about Adriano.

As luck would have it, Adriano has a chance encounter with a young woman who has a problem he is uniquely capable of solving. Teresa and her daughter Maria have an unexpected caller.

Even though he is no longer leading the company, Adriano is as active as ever. Events come together that motivate him to put his theories into practice.

Adriano decides to leave running the factory to Marcello and goes off on his own to work on his other projects. But country roads are dangerous in the pouring rain...

Adriano is very happy with how things have been going for the new Olivetti portable typewriter, but his siblings and partners in the business are not so happy. For one thing, they don't like not seeing any of the profits.

Teresa and Libero go to the movies together, and things seem great. But Libero has something important to tell her, something she had no idea about.

The "Lettera 22" portable typewriter is selling well, although Mauro isn't in complete agreement about the price. Libero and Teresa make some plans, and Mister Dalmasso comes around again.

Adriano shows Karen Bates around the new building and she writes her report. The new portable typewriter designed by Libero is finally ready.

Teresa goes back to the factory, and finds out she has talent. Karen Bates, the American photographer, comes to visit Adriano, and he sees right away how he can involve her in one of his projects.

Paola is more clearheaded after a night's sleep. Adriano isn't happy, but he has other things to think about such as the new plans for the compact typewriter. He and Libero get a visit from the girl-thief again.

Paola is having trouble with Carlo and shows up at Adriano's in search of consolation.

Everyone is talking about Adriano Olivetti, both on Italian soil and abroad. His innovative ideas are creating quite a stir and people worry that he might be a communist.

Adriano knows what kind of portable typewriter he wants to build and he knows who can build it. He thinks he knows what people want, even better than the people themselves.

Adriano tries to talk with the girl who stole a wallet, but she's too frightened. Not everyone in the family agrees with how Adriano has been running the factory.

Adriano decides to run the factory his father left him. He imagines a factory that supports culture and beauty, respects women, and is a life model. Mauro has a hard time agreeing with him, given the financial problems they face.

The Olivetti siblings have to decide whether to sell a stake in the factory or not. During the discussion, Paola arrives with the children.