The circle is tightening and the police are investigating two possible profiles: a lawyer and an engineer. Between jokes and internal dynamics at the police station, two officers are assigned to interrogate engineer Senatore and two others go to Nubila.

Domenico postpones his appointment with Gloria, who is hurt and fears something is wrong. Matteo tries to make peace with his uncle to confess that he has invited some friends to dinner, while Sara finds herself dealing with a disappointment that puts her to an emotional test.

Renzo, left without work, goes through a moment of deep frustration and is hurt when he discovers that Camilla tried to help him by turning to Gaetano. Between jealousy, pride and hurtful words, a domestic argument breaks out between the two that ends with Renzo's decision to go sleep on the studio couch.

While the little girl hovers between life and death in the hospital, the forensic police and investigators begin to dig into the past of the young woman found dead. A regular residence permit, jobs as a domestic worker in upscale neighborhoods, rent paid in cash and too many unanswered questions.

While Renzo celebrates a special occasion, at the police station investigators search for leads on the murder of a young woman found in a dump. Among abandoned cars and small clues, new details emerge, while at home Camilla tries to bring serenity back into the lives of the people she cares about.

The investigations are only at the beginning and the autopsy results are not yet available. For now it emerges that there are no signs of struggle and that the girl was caught by surprise. Meanwhile, at home, Giuseppe and Laura rediscover their complicity.

Between moments of daily life and traumatic memories, lightness and reflection intertwine. Matteo organizes an evening with friends, while Domenico has an intimate conversation about music and a love still apparently to be discovered.

The discovery of a brutally mutilated corpse opens a complex investigation as the victim is without identity and unrecognizable. While Camilla reflects talking to herself, she has a bizarre encounter.

The death of the young Ukrainian woman, who had just become a mother, raises many questions: the identity of a rescued child, a possible blood relationship and the evident signs of a murder. Between DNA tests and professional tensions, they attempt to reconstruct the story.

Rosario is in a bad mood and is isolating himself from the group. Matteo, happy to have stopped by Barbara's, seizes the opportunity to invite the whole company to dinner.

In the La Luna Nuova restaurant, dialogues about work, friendships and the past intertwine, until a phone call announces the discovery of a dead woman, breaking the normalcy and creating tension.

After gathering some confused information from a neighbor about the woman who might have abandoned the newborn, the police decide to enter the apartment. Inside, the body of a woman is found. Procedures are immediately triggered and officer Di Nardo reports the discovery, launching the investigation.

During an orchestra rehearsal, tensions, frustrations and conflicts emerge among the musicians. Between sarcastic comments, misunderstandings and an open confrontation with the conductor, the group is forced to confront the meaning of truly working together as an orchestra.

A controversy has erupted in front of the school, as principal Mazzeo opposes the distribution of flyers by a former student. However, Susy will manage to make him reconsider his decisions. Meanwhile, the new physical education teacher arrives and introduces himself to his colleagues.

Here is the epilogue of Paolo Villaggio's story: between surreal comedy and workplace satire, from the servile and mistreated Fracchia to the triumph of Fantozzi. A tale made of absurd jokes and dialogues that brings unforgettable characters to life and leaves a deep mark on Italian cinema.