Luigi can't wait to get out of the hospital and is dreaming of drinking a toast once he's out. Amed puts on the brakes right away.

At four o'clock, the 4 friends gather around the phone to try and win the tickets to the concert. In cooking class, the students are making arancini (rice balls).

Finally, Caravaggio's paintings are finished and on display in public, amazing all those who see them. Michele is on his best behavior.

Lojacono takes his daughter Marinella to Letizia's trattoria and the two women hit it off. Ottavia reports on the victim's phone records.

Some evidence has been burned in what appears to be a gas leak, and Imma is very concerned for her case against Romaniello. She goes back to her office to fight back when she has two different visitors, one more welcome than the other.

Nora is about to go jogging with Uno, but there is a crowd of people at the gate to the villa. What's going on?

Luigi makes it all the way to the bar, and once there, it is as his roommates predicted. He doesn't know what to order. He reflects on what metterci la testa (putting one's mind to it) means for him.

The four friends are still enjoying their memories of winning the school cooking competition. Their attention is drawn to a song on the radio and they dream about going to a concert featuring the singer.

The Cardinal gives Michele a stern talking-to, but then gives him some surprising news.

Imma is back in the office when she gets an unexpected visitor.

Carmen Esposito tells the police everything she knows. Then Lojacono meets with Aragona and Palma at the DA's office to discuss the case.

A patient's hemoglobin count is very important. If it's high enough, a patient can make it to the hospital bar. But then?

Michele has been working on a painting with Fillide as one of the models, but she is getting tired of the long hours. He tells her the story of the painting.

Stefano seems to have forgiven Maria Chiara for that kiss, but has he forgiven Ugo? Roberto shows up at the wedding reception to talk to Nora a tu per tu (privately). This is grammatically wrong, but is an expression people use to mean "face-to-face" or "one on one."

Renzo and Pamela are at a seaside place, but their moment is interrupted by a phone call from Camilla who is having car trouble. Meanwhile, Torre finds something near the scene of the crime.