The directors talk about the important role the sea played in their films. Another element that played an important part was color, used to express feelings and situations.

We're in Assisi, where, during some excavations, a domus was discovered. It's clear it belonged to a wealthy family because of the richness of the wall and floor decorations, and might even have been the home of the poet Propertius.

Domenico tells his story to the audience, and to us, as he takes us back to when he was a youth. There was one movie theater in town, and he was always there.

The Taviani brothers talk about how their movie Under the Sign of Scorpio was received at the Venice film festival, and about their location scouting for the film.

With a look at one of the greatest Etruscan masterpieces in the Villa Giulia museum, we take our leave of Rome to journey to the Umbrian city of Assisi, or, as it was called in Roman times, Assisium.

This biopic about Domenico Modugno, one of the most beloved Italian pop singers of all time, best known for his hit song, Volare, begins with a hymn to life. Enjoy!

Horses are large animals, but they are delicate, too. Keeping them healthy and in good condition requires a series of essential measures of different kinds. Eleonora takes us through some of them.

In nineteen sixty-nine they made a different kind of film, Under the Sign of Scorpio, and needed a special place to film it in. The whole cast, together with the directors, felt a particular sense of community both during and after the filming.

The Etruscans were influenced by other ethnic groups, particularly the Greeks. On display in the National Etruscan Museum of Villa Giulia, we find evidence of this in the terracotta objects and fine gold jewelry and precious objects dating from the period.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

Actor Giulio Brogi talks about how his role in The Subversives mirrored his character at the time. The Taviani brothers describe how they found another actor in that film, young Lucio Dalla, the famous (and now deceased) singer-songwriter.

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

San Miniato is where the Taviani brothers were born, but it was also the birthplace of their careers in filmmaking. Their first was a documentary and right away they had some problems with censorship.

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.