Libero and Enrica don't see eye to eye, but in addition to that, Enrica makes allusions she doesn't fully explain, and it leads to more incomprehension. Maria takes Lele Junior to the health center and Guido examines him.

With Camilla's help, the police have figured everything out, almost. One element is still missing.

Domenico Modugno goes to New York City, where he sees his song has taken over. It made history all over the world.

Oriana has a difficult conversation with General Loan, but manages to get out of the war zone safely. Back in the present day, she tells Lisa more about her time in Vietnam and about her relationship with François.

Rossella tells us how she came to be the solitary inhabitant of a beautiful, abandoned village in Calabria, called either Pentedattilo or Pentidattilo.

The Teatro San Carlo was renowned in all of Europe for its beauty as well as for its music, theater, and opera productions, so when it caught fire in 1816, it was a major tragedy. King Ferdinand I had it rebuilt immediately, and it became even more magnificent than before.

Marika talks about three words — piano, credenza, and tempo — that have something important in common. They all have multiple meanings, not just nuances, not just connotations. Technically, they are called polysemous or polysemic words.

Melody arrives with some news. Whether it's good news or bad news depends on your point of view.

Pimpa has some peculiar but interesting encounters with a book and a cat.

We begin a new episode, where Valentina is at school, learning about politics and toxic waste.

Alberto's girlfriend, Gemma, goes to his house with the pretext of a broken cell phone. Guido and Marcello meet up in the morning at a coffee bar and the subject of acting comes up. They have very different memories of a play they were in as kids.

As usual, Camilla figures things out by discussing them with her dog. But this time, she is overheard by Renzo. Later on, she gets together with Berardi to share her thoughts.

Lisa plays a tape that Oriana thought had been destroyed. It takes her back to 1973, when instead of going to Bonn, Oriana decides to go to Athens, where Panagulis has just been freed from five years in prison. She wants to interview him.

What a wonderful place Pentidattilo had been, but then plastic arrived and pretty much ruined everything.

The San Carlo Theater was the largest in Europe. Alberto Angela focuses on the shape of the theater and provides some insight into what went on in the box seats.