Eva and her friends decide that they have to teach Biagini a lesson. Eva goes to see Augusto for a few details.

Adriano shows Karen Bates around the new building and she writes her report. The new portable typewriter designed by Libero is finally ready.

Anna and Marika show us the ingredients and utensils necessary for making the classic risotto alla milanese (Milanese style rice). The star of the show is the precious zafferano (saffron), whose history Anna tells us about.

Daniela introduces relative pronouns il quale, la quale, i quali and le quali (that, who, which) that are a bit tricky to use because they have to agree with the gender and number of the nouns they refer to. We need them when, otherwise, the sentence would be ambiguous.

We leave the Royal Palace of Caserta and head towards Cilento in Campania where there is a huge Benedictine monastery. When we see the term convento, we might assume it is a convent for nuns, but in Italian, un convento can be a religious community for either monks or nuns (or both).

Dubbing has all sorts of uses, but certainly one of the most fascinating ones is making us believe an actor is speaking our language when we go to see a foreign film. Arianna takes us through the basic phases.

Manara talks to two different people who knew the murder victim. One comes to him, and the other tries to run away.

Two romantic situations. One goes better than expected. The other, a bit less.

The "Lettera 22" portable typewriter is selling well, although Mauro isn't in complete agreement about the price. Libero and Teresa make some plans, and Mister Dalmasso comes around again.

Anna tells us about the different varieties of rice found in Italy, and Marika completes the cooking of the risotto.

These relative pronouns can be very tricky for English speakers. Daniela gives us some good reasons (with examples) to prefer the more difficult, but more specific il quale, la quale, i quali and le quali, which can all mean "that, "which," "who," or "whom," depending on the context.

Alberto Angela us takes back in time, to a city that came about in a totally different way: splendid Matera in Basilicata. It's definitely worth a trip.

Idiomatic expressions are often difficult to translate or to find in a dictionary. Marika helps us out, using clips from La Ladra already present in Yabla's library.

Manara is being closely watched, but that doesn't stop him from doing things his way. Actually, there are two cases to solve.

Eva wakes up happier than Lorenzo does. Later, the girls discuss their plans for Biagini, but Eva seems distracted, somehow.