While they're huddled together in the meat truck, Commissioner Manara tries to wheedle out of Lara the reason she's still angry at him from police academy days.

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?

Rossellini's 1949 movie Stromboli put the Aeolian island on the cultural map forever.

Pre-war and wartime cooking, when fuel for cooking was in short supply, made raw recipes come to the fore.

The move has been difficult and Lele’s parents come by, unwillingly, to lend a hand.

Charles Ferrant's body has been discovered by a fisherman. The Count is still missing, and Lara's aunt wants a word with Malvina, the Count's housekeeper.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.

Marika and Anna go over the future and conditional tenses for the verb essere (to be). The vocabulary review covers the future and the conditional conjugations for this verb.

Lele isn't used to the commute and arrives late at the hospital, finding a room full of patients and an angry boss.

Marika gets to help a friend in need, and at the same time, show off her skill at using a hammer and nails. She tells us how she put together a chest of drawers and put up a shelf all in a morning's work, and had fun doing it.

Office gossip, the Italian way. Marika and Anna dish about the boss, the boss's nephew, the boss's nephew with the wife of the old boss, a temp--all while pretending to work.

The "Sciara del Fuoco" is a stream of red-hot lava that travels from Stromboli's volcanic summit to the sea. Seeing it is an unforgettable experience.

Manara and Lara go over the points of the case. Lara suggests getting a warrant for Cioni, the Count's difficult neighbor.

Magpies [gazze ladre] in folklore are known to be attracted by shiny things. Rossini's opera La Gazza Ladra recounts the story of Ninetta, a servant girl. She is wrongly accused of stealing the silverware that the family magpie stole.

Lele rearranges his schedule to go home and have lunch with his kids, but they're with the in-laws. Instead, he meets his new next door neighbor.