Daniela talks about some very common indefinite adjectives, the equivalents of "much," "many," "little," and "few." An important detail to keep in mind is that some of the words she talks about can be either adjectives or adverbs depending on the context. Adjectives (the subject of this video) have variable endings but adverbs don't.

In this second part, you will master using come (how) in questions and exclamations.

With some prodding by Marta, the scene where Luca is lying on the ground and says "I love you" comes into focus for him.

Guia is able to figure out why her cousin is not the right person to deal with her grandmother's will. She has two more bizarre encounters in town.

There is some trouble at home involving little Livietta and Gavina, the new cleaning lady. It has to do with the mother-in-law.

Daniela shows us some additional indefinite adjectives that have to do with quantity. When used as adjectives, they need to agree, in gender and number, with the nouns they describe. Some of these words can also be used as adverbs, and in this case, they don't change.

Ugo and Nora are very much in love, and that's where this story starts. The story of this two-episode mini-series is set in the port city of Trieste in northern Italy. Sposami means "marry me."

At police headquarters, everyone is thinking about what they will do when they get off work, but then there is a phone call that changes everyone's plans. A fall onto the rocks by the beach, a book with an intriguing design, and we're off to a new episode with Luca Manara.

Guia hasn't seen the last of the guy with the Jeep. He knows how to get along with both bar owners. There is a guessing game in the conversation and you will want to know that Italians use "fire and water," rather than "warm and cold" to describe how close or far you are from the right answer.

Camilla and Vanda go looking for Mazzeo at his aunt's house. Camilla has a hard time watching her friend play into the hands of the man she is in love with.

We look at Leonardo's Last Supper from close up — the details, the symbolism — but also from the refectory floor, seeing how Leonardo's genius made the fresco part of the room itself.

This fascinating segment is all about salt: Our spice journey takes us to Sicily, where much of Italy's salt is harvested. Franco talks about how salt is life, salt is gold.

Listen carefully to this lesson because the rules for these indefinite adjectives are a little quirky. These are about totality — all or nothing — and work differently from English, especially when they're in the negative. We're talking about tutto, nessuno, and alcuno.

The investigation begins. Manara and Rivera go to see the victim's wife, while Toscani calls a tow truck. Then all hell breaks loose in a house nearby, where there's been a gas leak.

Having spent the night at the farm, Guia wakes up to several surprises. She has trouble putting her thoughts into words.