Francescopaolo is back in the game. He makes an usual request to Carlo. His new challenger is Ilaria, who Carlo introduces to the audience.

Anna and Marika prepare the deliciously rich potato and cheese crisp that was a specialty of Friuli woodsmen.

Benedetto shows us his beautifully landscaped vacation rental property in the Province of Marsala.

Luca is able to talk to Giulia's father, and then with Giulia herself. He also talks to the people from the newspaper. Marta receives a mysterious phone call.

Daniela goes to the restaurant to talk to Eva, but things don't go as planned.

Arianna shows us the outside market near San Lorenzo, and we discover where the train station got its long name Santa Maria Novella. Arianna also gives us some important information about how to get to and from the airports of Pisa and Florence.

Tension rises between Marta and Manara. Then Manara gets stopped by the police. It's just routine, but there's a glitch.

Eva and Dante have words, and their work relationship is on the brink of ending. Brainstorming with the girls brings to Eva's mind a possible hiding place for the gold bricks.

Daniela starts her four-part series on the passato remoto [remote or absolute past] verb tense. This tense is broadly used in the south of Italy, and infrequently in the north.

Pupazzo is the word for "doll," but Federica has transformed it (as she likes to do with words) into pupezza because pezzo means "piece," and as you will see, she uses pieces or scraps to make these dolls. Federica uses these rag/paper dolls as a means for looking deeper inside herself, at the dark as well as the light parts. It is part of a kind of therapy she uses to help others discover hidden areas inside themselves, by means of creative imagination.

Luca gets himself into an embarrassing situation with Marta. But he somehow wriggles out of it with an undercover assignment for her.

The girls get to work. They manage to get into the market, but things don't go exactly as planned.

Ilaria and Matteo are the new contestants. Ilaria is quizzed on a list of Italian male celebrities and has to decide whether they're actors or singers.

Gianni takes us up to an abandoned villa, and reflects on the tremendous challenges the builder faced.

Manara's team decides the best way to find out what's going on with Righini and Parri is to go to the post-contest party that evening.