Marika features the verb mancare [to miss] and provides numerous expressions using the verb.

Minivip responds to the distressed pleas of a Russian ballerina, but he's no twinkle toes.

Our teacher is a good sleuth, but cooking is not her strong point, and her Indian sesame breadsticks don't make a huge hit at home, either.

Luca questions Lupo, and figures out how to find out for sure who murdered Gabriele, but as usual, he's immune to warnings about how dangerous it will be.

Paolo and Natoli have some unforeseen difficulties getting to the factory, and when they finally do arrive, nothing is as it should be.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

Daniela provides a list of verbs that always come before the subjunctive mood verbs. We'll see, however, that English doesn't follow the same rules.

As expected Manara's boss doesn't give him permission to infiltrate the race. Do you think that will stop him?

We suspected that something would happen as a result of Camilla's taking her husband's car, and sure enough... Meanwhile, her husband and daughter are getting ready to leave for the soccer game.

Adriano tells us about the book he decided to write when he turned thirty. It is a collection of stories, anecdotes, and experiences, and also contains photographs.

Marika interviews Arianna Manetti, the professional voice-over artist and dubber who narrates the fairy tales featured on Yabla.

The race ends, and Manara discovers what he came to find out. He also discovers that Lara is a very capable cop.

Paolo, with the help of Natoli, of course, is able to save the situation, and the workers are truly grateful. He pays a visit to the cemetery to talk to his brother Aldo.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.