One of the patients has a curious conversation with his doctor about diet.

This episode begins with the funeral of a patient, in the hospital chapel.

Amed gets ready to leave the hospital. Luigi gets his stitches removed and talks to a doctor about what he'll have to do in the future.

It's time for Amed to leave the hospital, but he's not quite ready. There are various types of goodbyes happening.

Riccardo, the priest, is having a hard time. His mother is trying to help him in her way. Barbieri keeps bothering Giusi. The patient who seems to think he is a doctor gives Luigi some news.

Luigi has to listen to an interminable list of possible side effects to the drugs he will be taking. Could it be that he is actually going home?

Two of the doctors meet up in the hall and get into a spat about which job is more noble, that of an oncologist or that of a surgeon.

Luigi reflects on how so many Italians, though living in a marvelous place, would like to be somewhere else, do something else, etc. But there are exceptions.

Luigi continues reflecting on how his illness changed his life in various ways, not all of them negative. Un passo alla volta (one step at a time).

As he leaves the hospital with his wife, Luigi talks about how his perspective changed having had an experience such as he did.

Borgo Sansepolcro is an out-of-the-way Tuscan city. But, as this video sets out to explain, it boasts one of the most beautiful paintings in the world, so it is well worth the journey. The video begins with some passages from a 1925 essay by Aldous Huxley: “The Best Picture.” We have translated the Italian translation back into English, for learning purposes, but you can find the original English version here.

The host describes the fascinating story of a British army captain who, during World War II, happened to have read Aldous Huxley's words (quoted in the previous segment), and remembered them just in time.

Restoring the Resurrection was a lengthy and complex process, consisting of reinforcement, cleaning, and the retouching of the painting itself.

The restorers take us through the meticulous cleaning process involving Japanese rice paper, a gel made from marine algae, and a solvent.

Piero was not just a painter; he was a member of an important family in Borgo Sansepolcro. There is a fresco painting attributed to him that might have alluded to the family business, which was producing and selling leather goods.