Cioni, the Count's neighbor and rival vintner, is interrogated by Manara and Lara. Without a warrant, there's only so far they can go.

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Anna and Marika tell the first part of the story of Violetta and Alfredo, their falling in love and their decision to live in Paris together. But their happiness doesn't last...

Ferocious bull terriers force Manara and Rubino into a refrigerated meat truck.

While they're huddled together in the meat truck, Commissioner Manara tries to wheedle out of Lara the reason she's still angry at him from police academy days.

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?

Pre-war and wartime cooking, when fuel for cooking was in short supply, made raw recipes come to the fore.

Charles Ferrant's body has been discovered by a fisherman. The Count is still missing, and Lara's aunt wants a word with Malvina, the Count's housekeeper.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.

Manara and Lara go over the points of the case. Lara suggests getting a warrant for Cioni, the Count's difficult neighbor.

Magpies [gazze ladre] in folklore are known to be attracted by shiny things. Rossini's opera La Gazza Ladra recounts the story of Ninetta, a servant girl. She is wrongly accused of stealing the silverware that the family magpie stole.

Manara obtains a warrant and brings Cioni in for questioning. Cioni continues to deny any meeting with the Count. This become untenable when he's asked to consider that his fingerprints are on a glass in the Count's cellar.

Fellini is at Cannes for the festival and screening of La Dolce Vita. He tells of his ironic encounters with unusual characters, who complain about the oddity of Fellini's movie characters.

While Cioni is questioned by Manara, Count Lapo returns on the scene. Unfortunately, his memory of what happened is very imperfect.

Ninetta is in prison, condemned to death, and things are looking very bleak, indeed. Don't worry though; in the end, love and justice win out, and everyone except the magistrate lives happily ever after.