Our narrator describes what it was like working on the set of La porta del cielo (the Gates of Heaven): the extras, the dangers, the boredom, and the strategies for keeping the cast and crew safe. He also explains how they reconstructed the railway carriages that are featured so prominently in the film.

To recreate the environment of the San Loreto church, the Basilica of St Paul's Outside the Walls was used for the final scene of the film. The crew was accustomed to working in a non-religious setting where they could do as they liked, so it was a full-time job trying to keep their bad habits (such as smoking) in check so they wouldn't get kicked out by their hosts.

During the filming of Heaven's Gate, there were some dicey moments where De Sica had to deal with the German troops and needed all his wits about him. At the same time his crew was cooped up in the basilica and didn't always behave as they should — in fact, tutt'altro (anything but). The narrator also mentions an anecdotal story Fellini told about his experience with the Germans.

Actors, including Alberto Sordi, who were performing at the Quattro Fontane (four fountains) theater on the fateful day of 23 March 1944 are in danger of being caught by the Germans. During the filming of his movie, De Sica leaves the safety of the basilica just once and is caught and questioned by a Nazi General about why the film is taking so long to be shot.

The general hands De Sica a letter from Goebbels himself but since De Sica can't read German, it is translated for him ad alta voce (out loud). It's an invitation to Venice, which De Sica does not want to accept.

Vittorio De Sica put himself on the line in order to save his cast and crew, and the film he was making. This final segment describes how he managed to complete La porta del cielo (The Gates of Heaven). The song we hear at the end of this documentary is very famous and was sung by Vittorio De Sica himself for the movie Gli uomini, che mascalzoni... in which he acted. Listen to the entire song here.

By now, we've all heard about artificial intelligence, but how to talk about it in Italian? Marika tells us what we need to know.

Plenty of English words have snuck into the Italian vocabulary connected with AI. "Learning" is one of these terms and is a component of various categories of artificial intelligence. Marika explains it.

This biopic about Domenico Modugno, one of the most beloved Italian pop singers of all time, best known for his hit song, Volare, begins with a hymn to life. Enjoy!

Domenico tells his story to the audience, and to us, as he takes us back to when he was a youth. There was one movie theater in town, and he was always there.

Domenico asks his cousin for some money to go to Rome, and goes to see the town priest to see if he can get a ride. But there is an emergency, and his priorities have to shift.

In Sicily, at one time, horses would work in the sulfur mines and slowly become blind. The story is told through a Sicilian ballad, sung by Domenico Modugno. Mimì's mother sits with him as he prepared his bags, but she struggles to understand why he would want to leave. See complete lyrics (in Sicilian) here.

Domenico gets on the pilgrimage bus to Rome and entertains his fellow passengers with a song. Don Antonio might have made different song choices... At the convent where the pilgrims are staying, Domenico makes friends with Father Mello.

Domenico goes to the Experimental Center where there is a sea of candidates waiting their turns to go in and take the entrance exam. He meets a friendly guy named Riccardo Pazzaglia. He also meets a girl who is rather nervous and feeling insecure.

Domenico does his audition in front of the movie camera. Then he has to figure out how to make enough money to pay for his room and board. His new friend Riccardo gives him a couple of important tips.