The friends go into Ilaria's ex's house to find something of value to steal.

After Cioni has a little encounter with a watermelon, they go back to the apartment and talk about what to do with the stuff they stole. This leads to a conversation about why things went south between Ilaria and her ex-boyfriend.

Ilaria and Francesca get into a heated discussion about their pasts and their futures. Ilaria has to deal with a pregnancy and Francesca has to either follow Vincenzo to Iceland or go her own way. It's pretty clear that he intends to take his new job.

The friends are taking care of the paraphenalia from their days at the theater. They muse on the past and the future.

Cioni and Vincenzo are having a rather inebriated conversation in the little swimming pool on the roof. In the house, the friends are proposing some strange ideas of using up some old hallucinogens that have sat there unused.

Andrea has a surprise for his housemates. Later, they party with a bunch of friends.

Marta and Andrea find themselves alone in his room, now empty, and they remember the time when they had been together. He tells her of his plans.

Andrea continues to be mistrustful of what Marta is intimating to him. She mentions a house she is borrowing ai Ronchi (in the Ronchis). This prompted us to want to find out where this place is and why she says it in the plural. Here (link to lesson) is what we found out.

Ferrari fans won't want to miss a stop at the Ferrari museum in Modena. Hear all about it from Antonio Ghini, director of the museum, and get a glimpse of the museum itself.

An exclusive interview with the world-famous Italian film director and screenwriter, Federico Fellini.

Fellini, interviewed at the Trevi Fountain, during the filming of La Dolce Vita, discussed his relationships with producers.

Fellini describes his relationship to a producer who became so exasperated by the director, that he drank ink in mock suicide.

Crowds of Romans gather to watch the filming of Anita Ekberg in the Trevi Fountain. Federico Fellini tells of his inspirations for the film La Dolce Vita.

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.