Are we ready for electric automobiles? Gianfranco Pavan talks about Svolta Elettrica or Electric Turning Point at the Bologna Motor Show of 2011.

The second part of Via dell’inferno (Hell Road/Road to Hell) where songwriter Davide Ravera creates an atmosphere of cold winter, tears, music, freedom, longing for home, and beginning again.

Alessandra is quizzed on the multiplication tables and gets mighty close to winning. A round of true or false questions follows Alessandra's pairings.

We meet Gina's shy niece, Alessia, when she comes to the restaurant on her lunch break. She confides in Eva and Gina about how she is being treated by her co-worker. Later, at home, Eva has to deal with a difficult question that Lorenzo asks.

A drama produced by RAI Cinema and Wildside follows the story of Giacomo, played by Fabio de Luigi, who searches for his dead father. He hopes to find his reincarnated father among the 800 million people born on earth since his father's passing.

This is a song by Nino Manfredi and is about a boy who believes he's Tarzan. Being a parent isn't easy.

Eva is in the kitchen trying, without success, to perfect a dessert recipe. She is still mad at Dante, but he is gone for a couple of days. Gina asks her to get some information from a couple in the dining room.

Corrado, a popular host, launched the song on Italian TV and it was also sold as a single. It was so successful that a sequel, “Sei contento papà?” [Are You Happy, Dad?] was created.

Arianna visits Lucca for the first time, and gets some advice from a friend who lives there. Arianna and Eleonora look at the map together to get an idea of how the city is laid out. With its Roman origins, Lucca's urban space was designed with intersecting roads called 'cardos' and 'decumani'.

This beautiful ballad was inspired by Raimondo Lanza di Trabia, an aristocrat known for his electrifying personality and for his romantic relationships (Rita Hayworth and Susanna Agnelli among them). At the age of thirty-nine, he threw himself from a hotel window in Rome.

Arianna takes us down to one of the most popular and busiest parts of the city. Many areas are primarily zone pedonali (pedestrian areas) but you still have to be very careful.

As usual, the ladies celebrate their success at the restaurant and the police chief shows up, too. Everybody is happy except for Lorenzo.

Dante has gone too far this time, and Eva lashes out at him about Lorenzo's motor scooter. Words are said, and only Lola barging in with an emergency keeps it from getting out of hand. Meanwhile, Samantha is about to give up on her dream.

Today Arianna takes us back to Florence. This time we go to a high point on the southern side of the Arno river where we get a view of the whole city in all its splendor.

Francescopaolo has to write down a word that links the five guillotine words together. Francescopaolo and his sister have different ideas about the word.

The four ladies go and pay a visit to Ludwig to teach him a lesson. Eva and her son each discover something the other was trying to hide. There's plenty of new vocabulary in this episode, as well as the Italian version of the expression, "Who lives by the sword dies by the sword."

Arianna takes us down to a beach near Pisa, and explains a bit about how beaches work in many parts of Italy.

Francescopaolo is at the guillotine stage of the game. This means that for every wrong answer that he gives, his winnings are halved.

As the girls are approaching the medium's place for the hit, they witness a scene between him and his girlfriend.

Arianna has a meeting with her boss, Luca, to talk about the increase in printing costs and Marika's role in the issue.

Carlo has a fun anecdote about Dante, the poet's love of eggs, and his prodigious memory. The winner is anointed and both contestants, Francescopaolo and Matteo, have a moment in the limelight.

The ladies are ready, but their respective cellphones keep ringing for one reason or another.

This beautiful church is worth a stop on the way from Pisa to the seaside. Arianna shares her discovery of it. The ceramic bowls that decorate the church are technically known as “bacini ceramici” in Italian, which could be translated as “ceramic basins.” Art historians who write in English, however, also use the term “bacini” for these tin-glazed works.

Francescopaolo and Matteo have reached the part of the game known as the “duel.” They go head-to-head on an array of topics, including a cartoon series and Dante's favorite thing to eat.