Ugo and Nora can breathe easy regarding this wedding. And Ugo sends a strong signal to Nora about how he feels about her. But at a certain point, he has to explain how he found the singer!

The guardians are pretty engrossed in their card game, but they hear voices and call headquarters. Orazio is rather scared.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

After what Dante saw, he has questions. Eva can't provide answers. The tension can be cut with a knife!

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

The wedding is beginning, and the bride is ecstatic, but what about the singer everyone is counting on?

The next step is to go to the cemetery. Anna is being her bossy self, and Orazio is trying to resist.

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

Eva reads the message, which, of course is from Max. She has no choice but to meet up with him. Her life just got even more complicated than it was already!

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.

Renzo and Camilla go out to dinner to celebrate their tenth anniversary. However, among the other guests are people they recognize...

It's not easy convincing donna Olimpia who is no longer of sound mind, but Nora gets an idea. Meanwhile, just about everything is ready for Azzurra's wedding.

After Anna and Orazio visit the fertility seat in Naples, they decide to stop in a bar for a cup of coffee.

Gargani is in for a surprise at the exam. Ilaria gets an anonymous donation for her hospital in Mogadishu.

This magnificent, colorful tomb, dating to twenty-five hundred years ago, depicts a banquet in honor of the deceased, who is clearly a young man. It's a virtual time capsule.