Amed is convinced that the girl who had promised special food, a while back, was a figment of their imagination. He goes so far as to call the nurse to see if she remembers the girl.

Steve Colato is being questioned at police headquarters. He still can't get over Ferrari being a policewoman. Little by little, they are getting some information from him. Meanwhile, it looks like Camilla might be in real trouble.

Aunt Clo calls at an inopportune moment and Nora can't fake things very well. Later she and Melody have a conversation about their bad luck with men.

Prosperino tries to sell Michele's painting of the "boy bitten by a lizard," and attempts to be professional. The three friends get their hopes up, but soon have to face reality. Michele and Mario quickly lose their patience and become belligerent.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

If Italian food culture is so famous the world over, Luigi wonders why it should be so bad in Italian hospitals.

Pasquale is a bit heavy-handed in his attempt to manage the collecting of money from the more well-to-do patients and Giuseppe has to step in. He and Nina sell off many of their possessions and Nina has a hard time of it. At the end of a long day, Giuseppe gets a surprise visit

Sonia and Gaetano are arranging a date for dinner when he gets a phone call from Camilla. She wastes no time but tells him to go to see Steve Colato. Torre and Ferrari do just that.

Everyone is waiting for the groom to show up and Nora and Ugo discuss what to do, both feeling sorry for Eva.

Caravaggio manages to sell one of his paintings and decides to leave d'Arpino's workshop. His friend finds him a room, and he starts working on a painting, now known as"Boy bitten by a lizard".

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Elena seems charmed by the orphans and Giuseppe explains to her that love has many pathways. At home, it becomes clear that Nina and Giuseppe have grave financial difficulties. He won't give up seeing patients, but comes up with an idea.

Camilla is about to call Berardi, but her cell phone is missing. At home, Renzo tries to call her and gets a strange voice on the other end of the line. This time, Renzo really wants to know the whole story from Camilla.

Rosalba was a French teacher who has been retired for about a a year. She now spends her days writing stories and cultivating her passion for photography.

Nora and the others learn of Eva's decision to put all her assets in the hands of her daughter, Ilaria. Sebastiano has disappeared, Manrico seems to be courting Melody.

Michele gives one of his works to the girl in the carriage. She is Beatrice Cenci and is chained to her seat. Later, Michele is seriously wounded while loading a piece of art onto a horse-drawn cart.

Elena explains her health problem to Giuseppe and they also clarify some personal things. Giuseppe then takes her to a special place in the city.

Camilla has another conversation with the "indestructible" guy and learns something new about the person who was following Dora before she died. Does she call Berardi with these new facts?

Rosalba lives in Pontedera and shows us her favorite park. There is a sculpture there that reminds her of a woman-cat.

While Eva is having a fitting, Carolina shows up and makes a scene. As Eva is leaving the atelier, she and Nora have a conversation about love, and then Ugo and Nora have a lively discussion about the situation.

After a night of drinking and brawling, Michele is finishing a painting outside the workshop. Baron Cenci shows up and likes what he sees on the easel. The Baron's daughter is in the carriage and exchanges a few words with Michele.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

Margherita left a legacy of progress, both scientific and social. Perhaps she is still looking down on us, since an asteroid was named after her: 8558 Hack.

Giuseppe's colleagues want to get Giuseppe away from the hospital because he makes too much "trouble." Giorgio has a suggestion for that.