Music plays an essential role in the films of the Taviani brothers. It's like having another actor. Composer Nicola Piovani knows something about this having worked with them on some of their movies. He also composed the soundtrack for the movie La Vita è Bella (Life is Beautiful) with Roberto Benigni.

Music and sound have major roles in the movies of the Taviani brothers. Notably, the tarantella from Allonsanfàn, written by Ennio Morricone, was also used by Tarantino in one of his movies, and that's when it became famous.

We learn about the ideas behind the movies, Father and Master and The Night of the Shooting Stars, and how music played a major role in both movies.

The Taviani brothers were adolescents during World War II, and talk about how tense it was growing up with the Germans and fascists so close by. A woman at a bar gives them directions to find one of the locations for filming The Night of the Shooting Stars.

The Taviani brothers reveal some tricks used during the filming of The Night of San Lorenzo and tell us how they managed to combine a particular sequence of the film with the cornerstone of Greek literature, The Iliad.

It's not often that two people, let alone brothers, can work together in perfect harmony. But artists who have worked with the Taviani brothers say they came very close. Paolo and Vittoio knew what they wanted and they knew how they wanted to obtain it, down to the letter.

This is the final installment of the documentary dedicated to the Taviani brothers. It concludes as they do some location scouting in the marvelous old city of Montepulciano for Maraviglioso Boccaccio (Wondrous Boccaccio), a 2015 film. Vittorio Taviani died in 2015 at the age of 88, and Paolo is 89 and still making films.

Tex Willer is the main fictional character of the Italian comics series Tex, first published in Italy in 1948. The series is an Italian take on the American Old West.

What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

This segment looks at Tex's son and "pards" (partners). And we get some answers about why he doesn't have a girlfriend.

Tex is a character who resembles his creator, who in turn also has his own points of reference. Let's also see what's behind a Tex cover.

It was crucial for the different cartoonists to keep to the Tex standard. This meant getting the hats right. There was also an amusing homage on the part of Sergio Bonelli to one of Sergio Leone's "spaghetti westerns."

This series begins with Diabolik, the greatest criminal of Italian comics or fumetti as they are called because of the "clouds of smoke" (speech bubbles) present in comic strips. Fumo means "smoke." In this segment, various personalities describe the character Diabolik, both the good and the bad.