Mussolini inveighs against the middle class, saying that it is the enemy of fascism. Much of the footage in this segment features EUR, the Rome district that was built in the 30s and 40s.

With Lara gone, Luca seems to want to make up for lost time, and flirts unabashedly with all the women he comes into contact with. Fortunately, he also gets down to work, and has a man to man talk with one of the suspects.

Little by little some of the suspects are being eliminated, but the situation is far from clear.

This segment opens with a sort of poem, demonstrating how kids growing up in fascist Italy were expected to behave. Minority groups had a pretty hard time, too.

Officers Barbagallo and Buttafuoco get some good evidence, but Manara doesn't quite appreciate their guessing-game humor. He goes to question the new suspect.

Luca Manara and Marta Rivera are both curious about each other. But Marta has better luck. Manara and Toscani go to see the victim's husband, who learns some things about his wife he hadn't been aware of.

Eva visits an old friend, and then goes to the market with Dante for fish. She's certainly more at ease with one than with the other.

Schools in fascist Italy banned the study of dialects and moved to using standardized textbooks. The fascist hymn “Viva Adua nostra” refers to a battle won by the Kingdom of Italy in 1896 near Adwa, Ethiopia.

Lara isn't around, but her presence is felt by everyone, in different ways. And they all want to know how Luca is feeling about it, but he's a closed book and just focuses on the case.

Marta goes for a ride on Luca's motorcycle as they look for a mysterious South American barman. Ginevra meets Marta and seems to like her a lot.

Soon after the introduction of talkies, dubbing came about in the thirties. Dubbing was extremely popular in Italy and remains so today.

Interviewing the husband of the deceased was uncomfortable, since there were delicate questions to ask. Back at headquarters, Luca learns whether or not it was his hair on the pillow, and Marta has some insights that make the others roll their eyes.

Nicola, a policeman, provides an overview of the Italian armed forces. He also explains the differences between the Carabinieri and the State Police, and details other enforcement agencies active in Italy.

Manara gets to run the case, and the new inspector arrives to welcomes that range from very warm to very icy.

The nineteen twenties ushered in sound in cinema. Italy's L.U.C.E. [L'Unione Cinematografica Educativa or Educational Film Union] was founded in 1924 and generated the fascist regime's cinematic propaganda.