During Grandpa's afternoon nap, Maria goes out without telling anybody. So now everyone is worried sick that something has happened to her.

Anna and Marika talk about their love lives, using the remote past and the remote past perfect, as well as the present and past conditional.

How many hand movements and gestures can an Italian make during a totally normal conversation? Have a look at Marika and Francesca!

Join Daniela's class where we learn more about how to greet people in Italian.

Commissario Manara is back, this time in a hotel room with leaky water pipes. But he's off to solve another murder case which seems to have something to do with music.

Andromeda tells us about her job as a copywriter. She explains what a copywriter does, and what kind of studies can help prepare you for this kind of job.

A visit to another Aeolian Island, this time, Salina, with its twin volcanoes. Its strategic position makes it a good starting off point for a visit to all of the islands of the Aeolian archipelago.

It's one in the morning, and Grandma Enrica is freaking out because Maria is still missing. They should call the police but don't have a phone. Things are bad. But then...

Arianna, born and raised in Italy, has recently moved to London where she has found a job and is trying to adapt to the English way of life. It's not always easy though...

One thing that has made Gualtiero Marchesi become such a great in modern Italian cuisine has been his ability to create new dishes by rearranging, in an innovative way, traditional dishes of every region of Italy, each different in taste and quality.

Giuliano talks about why this year he chose to go to a lake for his vacation.

In this lesson, Daniela talks about the two most important verbs in Italian: essere (to be) and avere (to have).

Join Marika and Daniela in Rome. They're at the Forum talking of its fascinating history.

Lele and Alice talk about what to do about Maria, and after school, Maria has an unpleasant experience at the local pizza place, but then things change.

Fellini discusses the reception of 8½ in Russia, and his hopes for the film at the 1964 Oscars.