Camilla isn't capable of saying no, even when she says no. But she's taking a huge risk for her student, Sammy.

Arianna goes to her job interview. How did she do? Should she have answered any questions differently? Are there some important questions she neglected to ask? Do you think she will get the job?

Tamara shows us the acrylic water-based paints that the family uses to decorate ornaments, frames, and masks, among other things.

It's a busy day for the police. A prime witness ends up in the emergency room at the hospital, and there have been three burglaries, one after another.

In World War I, Italians who up until then had spoken their regional dialects, found themselves fighting side by side against a common enemy. But Mussolini was interested in fighting the internal enemy.

Daniela continues with verbs that require the present subjunctive, calling attention to the all-important verb sperare [to hope].

Marika covers these super tricky combined pronouns: glielo, gliela, glieli, gliene, and gliele.

Not much information is cropping up from the investigation, but Lara has an unusual meeting with Casadio.

Camilla has gotten quite a scare, but fortunately, she's fine. She has two conversations, one with the police inspector and one with her husband.

Arianna is on tenterhooks waiting for the phone call that could change the course of her life. When she can't bear it any longer, the phone rings. No caller ID.

Tamara and Tania show some of the items that can be bought either unfinished or decorated in their shop. They demonstrate the use of glass paints and outline the steps used in decoupage.

L'Eredità [Inheritance] is an immensely popular daily quiz show on the RAI [pronounced rye], the Italian public TV and radio network. This episode benefits the Telethon Foundation, which provides funds for research into genetic diseases, and is based on Jerry Lewis's Telethon. To understand the play on words they use at a certain point, see the various meanings of macchina here. Learn more about this Italian game show here.

Luca is acting a little strange and Ginevra doesn't help things. Meanwhile, there has been some mysterious activity over at the nursery.

The segment looks at how Mussolini patterned his fiercely nationalist rhetoric after poet Gabriele D'Annunzio, while harkening back to the glory of Imperial Rome. The song in the segment refers to Balilla, an 18th century Genoese boy. In 1746, Balilla threw a stone at an Austrian official of the occupying Hapsburg Empire, which led to the War of the Austrian Succession.

A harmless waste paper basket fire in the classroom gives our Professor an idea. She engages the help of one of her students.