The interview with Tiziano Terzani continues. He tells of his capture by the Khmer Rouge in Cambodia, the dangers to which he was exposed, and how he was able to save himself.

In this video the focus continues to be on the religious slaughter of animals without stunning them first and the absurdity of the Italian law that allows it. The underlying message is that animals, as living beings, have the right to their own dignity.

Tiziano Terzani (1938–2004) was an important journalist and writer. This interview, considered to be of historical value, took place during the broadcast of the Swiss television show, Cartabianca [Carte blanche], conducted by Leo Manfrini, who was a close friend of the writer.

We continue the discussion on animal rights, asking the question why dogs and cats, among other animals, have to suffer injustices from humans, solely because they're too weak to defend themselves. The atrocity of religious ritual exemptions to animal dazing before slaughter are also discussed.

Who is born round...won't die square. That's the way it is for Grandma Italia, after a lifetime of petty thefts and trips to the slammer, she skips out of the nursing home. Not without, however, having first cracked the main office's safe. Her grandson Mario has to find her as soon as possible.

Raffaele, a producer of extra virgin olive oil from Apulia, tells us about the ancient origins of his olive groves. Many of the trees are centuries old, some are even over a thousand years old, and continue to produce excellent oil.

The Youngest Son, written and directed by the director Pupi Avati, was released in 2010. The main character, Luciano Baietti (Christian De Sica), is an entrepreneur without scruples. In order to succeed, he will stop at nothing, and this includes using his youngest son Baldo (Nicola Nocella).

In this scene from the 1960 film He Who Stops Is Lost. Totò plays the part of Antonio Guardalvecchia, and attempts to court Giulia. She's the sister of the president, and he courts her in order to get a job in the head office. The scene on the balcony recalls Shakespeare’s Romeo and Juliet.

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

Chiara tells about how she realized she knew how to read, which then led her to begin writing. She wrote her first "novel" in second grade. Where she grew up, on the outskirts of Rome, influence her writing to a significant degree.

Federica demonstrates the final stages of making the Colomba. Once ready, she cuts it open to show us what it looks like on the inside, with its particular consistency.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

Mario apologizes to the group and they decide to take up Michele's original solution, the night business. Iolde seems eager to develop romantic relations with Michele and comes on a little strong.

Having heard about the money from Chiara, Eleonora goes to see Michele to confront him on the issue. She feels he is leading Chiara astray.