While the countess points out where she found the cartridge shell, Manara and his squad find blood spatters on the floor of the cellar.

Fellini describes his relationship to a producer who became so exasperated by the director, that he drank ink in mock suicide.

Mario Talarico is a Neapolitan master umbrella maker. He and his finely crafted products have been featured in newspapers around the world.

The Commissioner and Lara question Count Lapo's oenologist, one of the last people to have seen the Count.

Gualtiero Marchesi recalls his childhood, living along the banks of the River Po. His memories are as diverse as milking cows and seeing German bombers taking out bridges.

Lara's aunt visits Malvina, bringing along her snooping dog. Together they find a ripped up business card in a wastebasket.

Crowds of Romans gather to watch the filming of Anita Ekberg in the Trevi Fountain. Federico Fellini tells of his inspirations for the film La Dolce Vita.

"We have a missing Count, a cellar full of blood, a mysterious Frenchman..." is how Commissioner Manara sums up the investigation to this point.

Gualtiero Marchesi recalls the early years of his friendship with Aldo Calvi, when the would hunt and fish together along the Po.

Cioni, the Count's neighbor and rival vintner, is interrogated by Manara and Lara. Without a warrant, there's only so far they can go.

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Anna and Marika tell the first part of the story of Violetta and Alfredo, their falling in love and their decision to live in Paris together. But their happiness doesn't last...

Ferocious bull terriers force Manara and Rubino into a refrigerated meat truck.

While they're huddled together in the meat truck, Commissioner Manara tries to wheedle out of Lara the reason she's still angry at him from police academy days.

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?