Rossellini's 1949 movie Stromboli put the Aeolian island on the cultural map forever.

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?

While they're huddled together in the meat truck, Commissioner Manara tries to wheedle out of Lara the reason she's still angry at him from police academy days.

Grandpa, Lele and his three kids arrive at their new house. Everyone is excited about it--everyone, that is, except Maria who would have preferred to have stayed in Rome near her friends.

Adriano and his girlfriend Vladi demonstrate Jive dancing, a dance that in Italy goes by the name "Boogie Woogie".

Anna and Marika give examples of the past tense of the verb to be.

Capocotta is the name of the Latium beach where Francesca is spending the last day of summer. This stretch of shore became a nature preserve in the '80s at the behest of President Sandro Pertini.

Ferocious bull terriers force Manara and Rubino into a refrigerated meat truck.

Giorgia performs the song "Gocce di memoria" [Drops of Memory]. The artist wrote the lyrics to music by Andrea Guerra. It was featured in the 2003 film "Facing Windows" by the director Ferzan Ozpetek.

The Martini family is getting in the car to leave for their new home in Poggio Fiorito, a residential area outside of Rome. There are some last minute items to pack as well.

Anna and Marika tell the first part of the story of Violetta and Alfredo, their falling in love and their decision to live in Paris together. But their happiness doesn't last...

Marika and Anna conjugate the verb to be in the simple present, present perfect, and simple past.

Andromeda introduces us to her other cats: Bella, Briciola, and Fiocco. She also recounts an anecdote from a book of Tiziano Terzani, a noted journalist [interviews with Terzani featured in videos 2708, 3105, and 3106].

Fellini tells how La Dolce Vita scenes were filmed both on the Via Veneto and on a set reconstructing the famous street in Cinecittà. The director also discusses his being a Capricorn.

Cioni, the Count's neighbor and rival vintner, is interrogated by Manara and Lara. Without a warrant, there's only so far they can go.