Francesca Vitalini describes her training in journalism and her work for a newspaper in Garbatella, a neighborhood of Rome.

The segment highlights two medieval churches near the ancient site of Alba Fucens. Both churches display ornamental facings made from pieces of colored marble that are intricately pieced together, what is known as Cosmatesque work.

Marika continues her lesson on the all-important verb venire [to come], providing many useful examples of its use.

The French government is privileged to have two of Rome's most beautiful properties: Palazzo Farnese, which they rent for a nominal fee and use as their embassy, and Villa Medici, which is the home of the French Academy, and was procured by Napoleon. The narrator speaks of how the land on which Villa Medici was built was highly appreciated by the ancient Romans.

Palermo faces the sea and has a very long history of immigration. The narrator interviews a young woman whose great grandfather came to Sicily from Sudan. She is involved in educating immigrants from Africa and Asia. Pitrè was also highly involved in education.

Daniela covers three modal or auxiliary verbs that are followed by nouns and not by the usual infinitive verbs. The verbs are: voglio [want], potere [can], and dovere [must].

Antonella talks about her relationship with the people who come into the shop, especially older women who still care about being beautiful, and who are beautiful, inside and out.

Highlights include a church straddling the Romanesque and Gothic in Celano, and Massa d'Albe (the Roman city of Alba Fucens), where there is an amphitheater excavated from rock. The word arena comes from the Latin word harena, or sand. Sand was used on arena floors to catch the blood lost during gladiator games and the like.

Marika focuses on the verb venire [to come], providing lots of useful examples of how it is used, and also contrasting it with the verb andare [to go].

Giuseppe Pitrè loved attending performances of chivalric folk plays in Palermo. This segment follows a marionette player at Palermo's Opera dei Pupi, the same theater where Pitrè went to see folk epics.

Daniela recaps the modal verbs: potere [can], volere [want], and dovere [must], which are placed immediately before infinitive verbs. Modal verbs are also known as auxiliary verbs or helping verbs.

What does it mean to be a European? Is the variety of languages in Europe an obstacle to actual unification? Umberto Eco explores these questions and offers some interesting insight.

Yabla takes us to a shop specialized in beauty products. There's plenty of new vocabulary here!

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Marika's lesson is on intransitive verb and how to recognize them. She has some interesting things to say on southern Italian speech and the influence of Spanish.