Michele makes the trip to the island of Malta, where he meets the Grand Master of the Knights of Malta, hoping for protection. In Rome, his paintings are being removed from churches, since he is now considered to be a murderer.

The plot thickens, as Berardi calls in Professor Predolin's neighbor to ask her some questions. At home, Camilla's mother has an announcement to make, hoping to surprise everyone.

Diana receives some news about Donata that is in contrast to the medical examiner's report. Imma is driven to a small town where she hopes to talk with a certain Nunziatina.

Mario tells, in detail, what he did. The DA has a few more questions, but then this chapter of the case comes to a close.

Relations between Alice and Joy have become strained, but soon it will be Halloween, and everyone is thinking about what to dress up as.

Nora and Ugo are now officially divorced and plans for the future are being made. It also happens to be time for Ugo's aunt to come back from her trip abroad.

Tomassoni is dead and there is a death warrant out for Michele. Costanza and her son have to make some new plans, as not even Naples is safe for Michele.

Camilla goes to see Ilenia, who is home with her mother, and they discuss the situation. At home, it looks like Camilla's mother has an announcement to make, because she invited the family for a lasagna dinner.

Imma manages to get a good amount of information from Lolita about Donata's relationship with Lombardi.

The photo of the dead girl reminds Lojacono and Aragona of the statuette they had seen in Marino's shop and Lojacono goes there to have a little chat with the man.

Ugo and Nora have very contrasting moods and intentions when they get to the courthouse for their divorce hearing.

It's time for the students to read their essays about living in another time. But Joy refuses. Nobody can figure her out.

Ranuccio and Michele have a real duel. It's bloody and violent.

Camilla's mom tells her about her sushi dinner. The next day, Camilla convinces Ilenia to talk to Inspector Berardi. He shows her the picture of the dog he had recovered from the dead body.

Imma goes to Cinecittà to find Lolita. They manage to have a conversation about Donata Miulli, the victim.