With techniques available today, it is possible to distinguish the various layers of plaster used on different days of work, to determine in what order the artists and their assistants applied the paint. And during the cleaning, details can come out that were previously not visible, including buildings and even letters of the alphabet.

Giuliano talks about his beginnings as a director. Vera threatened to leave him when he thought he might accept certain jobs.

For art historians, it is so interesting to try to figure out, with the materials at hand, what Piero wanted his work to finally look like, but it's a challenge, as the artist's initial sketches have been lost.

Vera's daughter was a teenager when Giuliano began courting her mother. Giuliano tells some stories about World War II and how crazy things were.

It's rare for a work of art to become the symbol of a city and even be part of its coat of arms, but this did indeed happen in Borgo Sansepolcro. Piero's Resurrection may be thought of as a fresco, but it's much more complicated than that, as we learn in this segment.

Vera talks about her parents and how they met and fell in love. Her mother was a stage actress and her father a military commander.

Piero was not just a painter; he was a member of an important family in Borgo Sansepolcro. There is a fresco painting attributed to him that might have alluded to the family business, which was producing and selling leather goods.

Giuliano tells about meeting Vera for the first time, and then he and Vera take turns telling about how their relationship developed.

The restorers take us through the meticulous cleaning process involving Japanese rice paper, a gel made from marine algae, and a solvent.

The name of the villa was inspired by the story of Dionysus who watched Ariadne while she slept. It was excavated first by the Bourbons but was buried again. Later in the 50s, digs were resumed and now, it can be visited in all its glory.

Giuliano Montaldo tells about how he got his start, from being a ham actor in Genoa to becoming an assistant to film director Carlo Lizzani, to making his first movie.

Restoring the Resurrection was a lengthy and complex process, consisting of reinforcement, cleaning, and the retouching of the painting itself.

The Villa San Marco is an amazingly well-preserved luxury villa from the Augustan period, with a wonderful panoramic view of Vesuvius and the gulf of Naples. Marika shows us around the four nuclei of the villa.

The host describes the fascinating story of a British army captain who, during World War II, happened to have read Aldous Huxley's words (quoted in the previous segment), and remembered them just in time.

Borgo Sansepolcro is an out-of-the-way Tuscan city. But, as this video sets out to explain, it boasts one of the most beautiful paintings in the world, so it is well worth the journey. The video begins with some passages from a 1925 essay by Aldous Huxley: “The Best Picture.” We have translated the Italian translation back into English, for learning purposes, but you can find the original English version here.