Laura and Lojacono go to Laura's house and she begins cooking dinner. At his hotel, Aragona has a chance to see Irene, the new housemaid, in the dining room and can't take his eyes off her. Francesco brings Giorgia breakfast in bed. It's una graffa (a kind of doughnut).

Lojacono and Di Nardo go to see Biagio's ex-girlfriend to ask her one more question. She happens to remember something that gives them a new lead. They then go and talk to Renato, Biagio's friend and colleague.

Lojacono is confident he knows how the murder happened and is able to trick Renato into saying something he couldn't have heard on the news.

The case has been solved, one gets the feeling that if the murderer had been Varricchio, a common ex-convict, instead of a promising biologist, son of a prominent professor, the outcome would have been more palatable to the city and to the press.

This documentary is about Guido Crepax, the creator of a famous fumetto (comic strip) that came out in 1965. The main characters are Philip Rembrandt, an art critic, and Valentina Rosselli, a photojournalist.

Crepax started out with one protagonist, Philip Rembrandt, but gradually phased him out, along with his superpowers. Valentina then took over as the protagonist. Crepax talks about Milan in the sixties.

In 1963 Crepax got his start in the world of comic books and two years later created his famous character, Valentina. The comic strip first appeared in the anthology comic book, "linus," founded by Giovanni Gandini, who had known Crepax as a kid.

Filmmakers Tinto Brass and Giuseppe Tornatore comment on how some elements of expressivity are shared between comic strips and the cinema.

Crepax's Valentina was an intriguing character because she openly reflected the sexual freedom of the late sixties and was attractive to both men and women. It was very "in" to be seen walking around with an issue of "Linus," an Italian comics magazine published in Italy beginning in 1965.

Valentina's success coincided with the beginnings of feminist movements in Italy. She depicted a woman who was strong and independent, who could do anything a man could do, a departure from the stereotype of the Italian housewife.

Among the pages of the comic strip, family members find familiar objects, drawings, and personal information from their everyday life. Although Valentina was a figment of Crepax's imagination, she was also an integral part of his family.

One of Crepax's techniques is to use the details of everyday life to build his stories and provide context. We even see the titles of the books in Valentina's bookcase.

Besides his much better known activity as a graphic artist, Crepax was a keen wargamer and wargame designer and collector of paper soldiers, drawn by himself.

Crepax loved playing at battles and would change the outcomes, using his friends to fine-tune the moves. He had some famous personalities as willing participants in the games, too.

Guido Crepax's son Antonio talks about the day Antonio Custra was killed in May of 1977, during an armed demonstration in Milan. This was during the so-called anni di piombo (years of lead), a period of social turmoil, political violence and upheaval that lasted from the late 1960s until the late 1980s, marked by a wave of both far-left and far-right incidents of political terrorism and violent clashes. Many demonstrators were arrested, but Antonio Crepax managed not to get loaded onto a paddy wagon.