We start to see what Jacopo means when he says he's bad luck.

Getting the words out is a bit of a problem for Jacopo. Meanwhile, he and Sara go to the country for a "rest."

Jacopo is ready to give up, but even giving up isn't easy, and his friend steps in to give him a hand (and a dose of his own medicine perhaps).

Jacopo is skeptical about what the "occult worker" Zorus can do for him. But he may end up being convinced.

Sara and Jacopo will have a long challenging day ahead of them. They just don't know it yet.

The architects go to present the church project for Verona to the committee of clergymen. To get the most out of this segment, see this Wikipedia entry about Pandoro.

Jacopo's life is further turned upside down when he tries to escape to the only refuge he knows: his parents' house.

Jacopo has given up on everything. Sara is having more success than she banked on.

Jacopo is not as alone as he thought. And you'll never guess who he meets up with!

Jacopo has a real time crunch on his hands, especially once he hears of a wedding taking place at that very moment.

We're finally at the end of our film. Enjoy!

In this video provided from PA 74 Music, Stefania Bianconi, a successful young artist, sings “Prendimi l’anima” (Take My Soul) as a finalist at the Modena Videofestival 2009.

Noemi Bossolo, known professionally as Sylia, sings the song that Lucio Battisti made famous. The lyrics to the song were written by Mogol, a frequent collaborator of Battisti, Celentano, and other artists.

Mario Aprile, president of the Trifolao Association in Piedmont, gives us some tips about the characteristics of white truffles: their growth, the ideal way of storing them and of course some excellent recipes.

In this ad, heroic Giuseppe Garibaldi is stereotyped as a mammone (mama's boy), still under the thumb of his mammina (dear mother), stereotypical overprotective Italian mother.