The Ephebe of Agrigento is considered to be one of the masterpieces of Greek sculpture of the fifth century BC in Sicily. It is held in the Regional Archeological Museum of Agrigento, in which we also find a Roman sarcophagus in marble from the second century AD with scenes depicting the life of a child who died at an early age.

We say goodbye to Agrigento's Valley of the Temples and get a close look at the awesome Riace Bronzes in Reggio Calabria. The two life-size Greek bronzes date to the 5th century BC and were discovered off Riace by a scuba diver in 1972.

The first stop is Italy's easternmost point, the Punta Palascìa and its 19th century lighthouse. Alberto Angela then shows us another site in the Apulia region, Castel del Monte, a breathtaking crown-shaped castle built by Frederick II in the early 1200s.

Wonderful aerial photography shows Castel del Monte and its crown-like octagonal shape. Frederick II was particularly fond of the castle because it was an ideal location to hunt small game with his falcons.

Alberto Angela takes us inside Castel del Monte and helps us imagine what it might have looked like when it was "alive." He uses the term piano nobile, which indicates the floor of a mansion where the noblemen or landowners lived, as opposed to the floors where the servants' quarters and kitchens would have been.

As opposed to the classical palaces of the powerful, with their throne rooms and great halls, Castel del Monte has some smaller and more intimate spaces, conducive to more personal encounters. Over the centuries, the castle was exploited in different ways, well into modern times.

We visit the land of the trulli, curious dry stone huts. Alberto Angela gives us some background about these unique dwellings.

Alberto Angelo tells us the fascinating story of how trulli are built. Some of the most characteristic trulli can be found in Alberobello.

We are now in the heart of Italy: Tuscany. One of the most beautiful and important cities in Tuscany is Siena with its very particular piazza.

Alberto Angela brings medieval Siena to life, with the help of some breathtaking aerial shots.

The Siena Cathedral is one of the most notable examples of Italian Romanesque-Gothic cathedrals, and is well worth a visit, for both the beauty of the exterior and the unique marble artwork on the interior.

Alberto Angela focuses on one of the floor inlays depicting the story of Siena according to tradition. Siena shares a city symbol with Rome.

Alberto Angela explores the Piccolomini Altarpiece with sculptures by Michelangelo, and the beautiful frescoed Piccolomini Library within the walls of the Siena Cathedral

The Siena Cathedral is large, but it was supposed to have become much, much bigger. Alberto Angela tells the fascinating story.

We have a look at two important medieval manuscripts in the State Archives. They are the original Constitution of the Republic of Siena. Alberto Angela gives us some fascinating facts concerning it that reaffirm how wise the rulers of that republic were.

How could accounting books be so fascinating? The ones from the State Archives in Siena are veritable works of art and tell some interesting stories.

Alberto Angela shows us a volume from 1554 that bears witness to one of the most dramatic moments in Sienese history. We then go on to the beautiful city of Pienza.

The Republic of Siena ends in the 16th century and power goes to Florence, where we go next, to see some of the architectural wonders there.

This video focuses on one of the most famous artists of all time, Leonardo da Vinci. In particular, we start looking at one of his greatest masterpieces, the Last Supper.

We look at Leonardo's Last Supper from close up — the details, the symbolism — but also from the refectory floor, seeing how Leonardo's genius made the fresco part of the room itself.

Two geniuses left their indelible marks on civilization: Leonardo with the Last Supper and Michelangelo with his David.

This episode will take us to Umbria. We start with one of the most beautiful cities in the region, Assisi, a city that's practically synonymous with the Franciscan monastic order and its founder, Saint Francis.

People often wonder how the Basilica of St. Francis could be as imposing and rich as it is, when the saint to whom it is dedicated had taken an oath of poverty. Alberto Angela explains this and other contradictions.

What did Saint Francis look like? There are clues in a fresco in the lower basilica of the church dedicated to him in Assisi.