Lojacono and Di Nardo gather information from the couple who were robbed. When they leave the apartment, they agree that there are some strange things. At the police station, Aragona goes to talk to Romano.

The police station receives a phone call about the disappearance of a child during a school trip with the nuns. Aragona and Romano rush to the museum, the last place he had been seen, where they question the sisters and a little boy.

At the police station, the team discusses how the museum's cameras were positioned. Back at the museum, they try to calm the child's mother, who is very upset.

Giuseppe is shaken by the case he is working on, concerning the child who disappeared at the museum. He has lost his appetite and confides in Letizia. At the police station, the team is looking at the security camera footage for some clues.

Dodo's mother and her new partner try to identify the hooded person the boy walked off with. The boy's father is also questioned.

After asking Dodo's father some questions, Palma and Lojacono advise him to be cooperative for the sake of the investigation and the child. Meanwhile, there is some new information about the gardener.

At the police station, everyone is concentrated on the intercepted phone call to the Borrelli household. They discuss whether the speaker was Italian, whether he was reading, or whether it was a recording.

The alternative tourism video starts by showing some of Rome's iconic sites, but will focus on less well-known quarters, such as the Salario-Trieste neighborhood in north Rome.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.