Eva visits an old friend, and then goes to the market with Dante for fish. She's certainly more at ease with one than with the other.

Schools in fascist Italy banned the study of dialects and moved to using standardized textbooks. The fascist hymn “Viva Adua nostra” refers to a battle won by the Kingdom of Italy in 1896 near Adwa, Ethiopia.

Lara isn't around, but her presence is felt by everyone, in different ways. And they all want to know how Luca is feeling about it, but he's a closed book and just focuses on the case.

Marta goes for a ride on Luca's motorcycle as they look for a mysterious South American barman. Ginevra meets Marta and seems to like her a lot.

Soon after the introduction of talkies, dubbing came about in the thirties. Dubbing was extremely popular in Italy and remains so today.

Interviewing the husband of the deceased was uncomfortable, since there were delicate questions to ask. Back at headquarters, Luca learns whether or not it was his hair on the pillow, and Marta has some insights that make the others roll their eyes.

Nicola, a policeman, provides an overview of the Italian armed forces. He also explains the differences between the Carabinieri and the State Police, and details other enforcement agencies active in Italy.

Manara gets to run the case, and the new inspector arrives to welcomes that range from very warm to very icy.

The nineteen twenties ushered in sound in cinema. Italy's L.U.C.E. [L'Unione Cinematografica Educativa or Educational Film Union] was founded in 1924 and generated the fascist regime's cinematic propaganda.

Manara goes to question the neighbors. When he goes to see the chief to talk about the case, he gets a little surprise.

There is some very unusual and disturbing news waiting for the team of investigators.

There's a departure, for sure. Lara gets on that big blue bus and says goodbye, but there is an arrival, too.

Ada brings coffee to the room where the new guest is staying. But it's Ada who gets a rude awakening.

We've come to the moment of truth for Luca and Lara. Neither of them is happy, but they both know, deep down, that it's the right thing to do.

In the case, the sad truth comes out. Luca and Lara are both very somber for their own reasons. The only happy person seems to be Toscani who discovered traces of blood on the cane.