Tomassoni is dead and there is a death warrant out for Michele. Costanza and her son have to make some new plans, as not even Naples is safe for Michele.

Relations between Alice and Joy have become strained, but soon it will be Halloween, and everyone is thinking about what to dress up as.

There are different reasons one chooses to walk a path. The important thing is to feel the need to undertake it. It's not like a stroll in the park, but rather a challenge to one's body, mind, and spirit.

Camilla goes to see Ilenia, who is home with her mother, and they discuss the situation. At home, it looks like Camilla's mother has an announcement to make, because she invited the family for a lasagna dinner.

Nora and Ugo are now officially divorced and plans for the future are being made. It also happens to be time for Ugo's aunt to come back from her trip abroad.

The photo of the dead girl reminds Lojacono and Aragona of the statuette they had seen in Marino's shop and Lojacono goes there to have a little chat with the man.

Imma manages to get a good amount of information from Lolita about Donata's relationship with Lombardi.

Ranuccio and Michele have a real duel. It's bloody and violent.

It's time for the students to read their essays about living in another time. But Joy refuses. Nobody can figure her out.

People who want a spiritual but active way to see Italy often choose la via francigena (the road from France), the Italian pilgrimage route from France to Rome that corresponds to the perhaps more famous "Camino de Santiago" from Paris to Santiago de Compostela in Spain.

Camilla's mom tells her about her sushi dinner. The next day, Camilla convinces Ilenia to talk to Inspector Berardi. He shows her the picture of the dog he had recovered from the dead body.

Ugo and Nora have very contrasting moods and intentions when they get to the courthouse for their divorce hearing.

Lojacono and Laura are discussing the case at the crime scene when they discover someone listening to them. This adds a new element to the investigation. As they are leaving the building, they run into the former door person, Rosetta, who is curious about the case. Back at headquarters, Ottavia does some research and Pisanelli's memory is jogged about an old case.

Imma goes to Cinecittà to find Lolita. They manage to have a conversation about Donata Miulli, the victim.

Once again, Caravaggio is criticized for using a woman considered to be a prostitute in a painting of the Virgin Mary. This time, there are consequences for Lena, too.