Tex is a character who resembles his creator, who in turn also has his own points of reference. Let's also see what's behind a Tex cover.

Marioni tells the orchestra what he has in mind to help Matteo get integrated into the orchestra. The students involved begin to get organized by sharing their phone numbers.

Michele is at the Nest, but he's still under house arrest, so he has to do certain things because he's obligated to. Indeed, breakfast time arrives in the common room.

Imma goes to the Foundation where Don Mariano had his office. She and the team look for the tablet and talk to the young man who helped out there. They also talk to the housekeeper Ilona, who says there were plenty of people out to get Don Mariano.

The poor condition of the Bianchina the expert is restoring does not make the car any less iconic. Let's see what characteristics impact the valuations of two different models.

This segment looks at Tex's son and "pards" (partners). And we get some answers about why he doesn't have a girlfriend.

During the orchestra rehearsal, a player makes a mistake and Marioni, the conductor, doesn't hesitate to press the point, in his usual cruel manner, that an orchestra is not a democracy.

Imma is still worried about her husband ending up in the hospital when, back at work, Diana has bad news for her. Imma remembers her appointment with Don Mariano, but that's not the worst of it.

The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

What kind of guy was Tex? For the most part, he was tutto d'un pezzo (a straight shooter). But sometimes it would depend on who was writing the story.