Orazio discovers who was at the door and tries to manage things as best he can. Meanwhile, the police are watching from the window and take action.

This is the final installment of the documentary dedicated to the Taviani brothers. It concludes as they do some location scouting in the marvelous old city of Montepulciano for Maraviglioso Boccaccio (Wondrous Boccaccio), a 2015 film. Vittorio Taviani died in 2015 at the age of 88, and Paolo is 89 and still making films.

Domenico can't wait to tell Franca about doing the show, but she won't take his calls, so he goes to see her in person.

Camilla can't help giving in to her intuition, so naturally, she follows Virginia and discovers something new.

It certainly seems as though Virginia is hiding something from Camilla, but for her, that's a hard truth to accept. How well does she actually know Virginia?

The five senses. We know what they are in English, but let's learn them in Italian. First, though, Marika will talk about the noun senso (sense), itself, which has some meanings beyond its cognate "sense."

Daniela explains further about constructing explicit subordinate clauses and gives some examples to clarify.

Orazio goes to see Don Agostino, who speaks in metaphors Orazio has trouble grasping. Back home, there are some curious activities going on, and the police are watching.

It's not often that two people, let alone brothers, can work together in perfect harmony. But artists who have worked with the Taviani brothers say they came very close. Paolo and Vittoio knew what they wanted and they knew how they wanted to obtain it, down to the letter.

Domenico gets a big chance to sing for a celebrity, but it doesn't go the way he imagines. Palmieri keeps coming up with ideas for him, however.

Camilla and Gaetano go looking for information about the famous paperweight. They discuss who could have committed the murder. But there is something that Camilla didn't know about her friend Virginia.

Study a foreign language with Yabla.

At the office, Orazio gets a visit from the police commissioner who gives him a rough time and leaves Orazio more confused than ever.

The Taviani brothers reveal some tricks used during the filming of The Night of San Lorenzo and tell us how they managed to combine a particular sequence of the film with the cornerstone of Greek literature, The Iliad.

Domenico isn't very adept at keeping his emotions, including jealousy, in check, and at the dinner party, he allows them to get the better of him. But there are all kinds of people at that party, and they aren't all against him.