A student asked Daniela to explain the difference between finché and the adverb fino. In fact, these words are tricky for English speakers to grasp. We're talking about "until" and "as long as," and in questions, "how far" and "how long."

Marika and Daniela continue their conversation about making conversation in Italian. They even talk a little bit about baby talk, Italian style, including the vezzeggiativo (affectionate) form of adjectives.

We're still at the Camposanto in Pisa. Alberto Angela shows us a wonderful fresco of the Last Judgment, and tells us the story of the artist as well as what is depicted.

As we might have imagined, the tensions between the parents have been transferred onto the future bride and groom. Choosing the location, the favors, and the music has become a battle. Who knows if they can get over these hurdles.

In addition to the girls chatting with the chief of police as he has his lunch, there is a moment outside with Dante and Lorenzo.

Guia gives Mara some advice. Meanwhile, there are three very unhappy men in the piazza. Pino finds something he had been looking for and Toni turns out to be pretty mature for his age, at least compared to his dad.

Manara's team goes to the hunters' bar to find Nino La Martina and have some lunch at the same time, perhaps. There was perhaps a bit more action than they were prepared for, but, of course, that goes with the job.

Eva and Lorenzo have a civil conversation at breakfast. Later on, we find the commissioner dining at the restaurant and Gina thinks he might be the mysterious Catullus. The subject gets changed by an important phone call for the commissioner (in French) about counterfeit money from across the French border!

Daniela gives us some more examples of gerunds used in subordinate clauses. Asking ourselves what questions the gerund answers can help us understand its role in a sentence.

Daniela and Marika show us the basics of making conversation between 2 people who know each other as well as between strangers, or people of different ages.

Alberto Angela takes us through what is actually a gallery of ancient art inside this cemetery, and focuses on the sarcophagi, each with its story to tell.

Each family is intent on dictating all the details of the wedding, making it difficult for Ugo and Nora to stay on top of things — beginning with the choice of a wedding gown.

Did anybody hear Guia accept Marco's proposal? Needless to say, Guia is feeling somewhat trapped, and encountering Renzo with Anita doesn't help her state of mind.

Lara plans to go and stay at her aunt's house, though Caterina is gone. Luca is clearly preoccupied when he goes to the morgue to talk to Ginevra about the autopsy.

Imagine being on vacation and having to fly home during the pandemic. That's what happened to Melania who got stuck in Madrid on her way home from Venezuela.

In this segment, Daniela talks about the gerund. As you will see, in Italian, the gerund is often used by itself, whereas in English we need an extra word before it — a conjunction or preposition. We are on more familiar ground when Daniela talks about using a gerund with the verb stare (to be) to form what we call the present continuous or present progressive.

Alberto Angela recounts some interesting facts and legends surrounding the roof of the Bapistery and the Camposanto [cemetery].

The worst-case scenario comes true, even though Nora and Ugo do their very, very best, along with Spartacus as the server and Iside in the kitchen. Who knows if that wedding will ever happen.

This is the conclusion of this episode. Mazzeo shows his face at school, and Camilla gets a nice surprise.

Both Andreina and Eva have some important tasks to carry out this evening. Their challenges are vastly different, but are challenges nonetheless. Let's see how they manage.

Marco shows up with an interesting proposition for Guia. Pino gets dressed up like a priest, as he likes to do, and has an interesting conversation with Carola.

The card that came with the flowers for Lara contained an important message. One of the people Luca wants to question comes to the police station of his own accord.

In Italian, there's not only a past participle, as in English, there is also a present participle. Many nouns and adjectives we use every day come from this tense, as well as from the past participle.

Marika and Anna cook their pasta, but this recipe is actually designed for leftover pasta. They explain more about this, and show us, step by step, how to make this very special frittata. Buon appetito!