Romaniello opens up to Imma and shows his true colors. Imma takes her mom home, but the apartment seems unfamiliar to her with its modern conveniences like a TV, and running water.

Guido is at work and finds himself treating an interesting patient. Grandpa Libero is starting a vegetable garden, and Grandma Enrica shows up.

Camilla brings in Luca, but first she discusses the case with Berardi. Of course, she sees something in the letter made up of magazine clippings that the Chief had missed.

The winner of Sanremo is announced, and the news travels fast. The winning song makes Italians feel optimistic after the terrible war and postwar periods.

Oriana visits an orphanage and it has a long-lasting effect on her that she will never forget.

In the eighteenth centiury, the San Carlo Theater was a magnificent center for opera and culture, and still is today. It's one of the most beautiful theaters in all of Europe.

Ugo tries to explain to Nora why he didn't climb up on the crane at the wedding. In the atelier, there is some gossip about their new client.

Imma is back in the office and so is her talkative assistant, Diana. Imma's boss comes in with some papers. Who knows? Now that summer is almost over, maybe Imma will find some time to relax.

Libero and Enrica don't see eye to eye, but in addition to that, Enrica makes allusions she doesn't fully explain, and it leads to more incomprehension. Maria takes Lele Junior to the health center and Guido examines him.

With Camilla's help, the police have figured everything out, almost. One element is still missing.

Domenico Modugno goes to New York City, where he sees his song has taken over. It made history all over the world.

Oriana has a difficult conversation with General Loan, but manages to get out of the war zone safely. Back in the present day, she tells Lisa more about her time in Vietnam and about her relationship with François.

The Teatro San Carlo was renowned in all of Europe for its beauty as well as for its music, theater, and opera productions, so when it caught fire in 1816, it was a major tragedy. King Ferdinand I had it rebuilt immediately, and it became even more magnificent than before.

Marika talks about three words — piano, credenza, and tempo — that have something important in common. They all have multiple meanings, not just nuances, not just connotations. Technically, they are called polysemous or polysemic words.

Melody arrives with some news. Whether it's good news or bad news depends on your point of view.