The tour of the Abruzzo Region concludes with sights near l'Aquila, the region's capital.

Lara and Luca have been skirting the marriage issue, but they do finally talk about it, albeit briefly. Meanwhile, they get some new information about the case.

Adriano is not only charming, he was able to teach his new Polish girlfriend how to speak Italian in just a few months, with a little help from Yabla.

Daniela homes in on the present subjunctive of the auxiliary verb essere [to be].

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The documentary comes to a close with an interview regarding a prison cell used during the Inquisition. The cell bears the graffiti of its inmates. Pitrè had laboriously uncovered the graffiti, but it was only rediscovered in the 1970s by the writer Leonardo Sciascia and the interviewee in this segment, Giuseppe Quatriglio, who used Pitrè's writing to find it.

Paolo clearly cares more about Natoli than his car, Manuela thinks Paolo is like the other bosses, and Natoli is becoming resigned to going back to his country. It's a mess.

Toscani, Lara, and Luca are working on the case, but Toscani is clearly distracted. Luca tries to get some information from Gabriele's rival.

Ada provides Luca with some welcome company, food, and gossip. Ginevra communicates the cause of death, while Luca and Lara toss around a couple of different possible hypotheses surrounding the motorcyclist.

Antonella describes her many assignments at the cosmetics company where she worked for twenty-two years, before the company downsized.

Minivip gets taken for a plumber and is challenged by a broken washing machine.

Marika continues with her lesson on the crucial verbs, andare [to go] and venire [to come], and provides many useful examples.

The segment features the Oratory of San Pellegrino and the Church of St. Mary of the Assumption in Bominaco. These, together with the Marian church in nearby Fossa, are considered the finest examples of Medieval art and architecture in the Abruzzo Region.

Daniela continues her lesson on the present subjunctive, using the verbs parlare [to speak], vedere [to see], and partire [to leave].

A tour of Villa Medici's reception and private rooms. Ferdinando de' Medici hired the architect and sculptor Bartolomeo Ammannati to expand the villa, as well as other renowned Florentines artists to create fresco cycles exalting his life. We catch a glimpse of his frescoed south-facing apartment, which would have been used in the colder months, while the north-side suite was for warmer periods.