Adriano tells us about the book he decided to write when he turned thirty. It is a collection of stories, anecdotes, and experiences, and also contains photographs.

We suspected that something would happen as a result of Camilla's taking her husband's car, and sure enough... Meanwhile, her husband and daughter are getting ready to leave for the soccer game.

As expected Manara's boss doesn't give him permission to infiltrate the race. Do you think that will stop him?

Daniela provides a list of verbs that always come before the subjunctive mood verbs. We'll see, however, that English doesn't follow the same rules.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

Paolo and Natoli have some unforeseen difficulties getting to the factory, and when they finally do arrive, nothing is as it should be.

Luca questions Lupo, and figures out how to find out for sure who murdered Gabriele, but as usual, he's immune to warnings about how dangerous it will be.

Our teacher is a good sleuth, but cooking is not her strong point, and her Indian sesame breadsticks don't make a huge hit at home, either.

Minivip responds to the distressed pleas of a Russian ballerina, but he's no twinkle toes.

Marika features the verb mancare [to miss] and provides numerous expressions using the verb.

There's some girl talk between Lara and Sardi, Luca is not a great dinner guest, and Buttafuoco and Barbagallo make an interesting discovery.

Adriano places his order at Dublin's Pinocchio restaurant, and it looks delicious.

Daniela covers the present subjunctive of these three verbs: rimanere [to remain, to stay], venire [to come], and dire [to say].

We visit the French Academy's gallery devoted to plaster casts of antique sculptures and the large park, which was once used by Ferdinando de' Medici for hunting.

Paolo has to gather all his wits to figure out what's happening in the company. He confronts Salmastri, but Salmastri is truly slippery, and not to be underestimated.