We see the inside of house built into the rock. It is fascinating to learn how families coped with the problems of water, humidity, and cramped quarters.

Adriano is very happy with how things have been going for the new Olivetti portable typewriter, but his siblings and partners in the business are not so happy. For one thing, they don't like not seeing any of the profits.

Eva's friends can see right away that she is feeling different. It's written all over her face. But she also has an idea for their next caper. At the restaurant, Eva and Dante talk about the previous night, and about whether Lorenzo knows or not.

We enter a fascinating church carved right into the rock: the Church of the Madonna di Idris. There are some surprising discoveries awaiting us.

Teresa and Libero go to the movies together, and things seem great. But Libero has something important to tell her, something she had no idea about.

Eva wakes up happier than Lorenzo does. Later, the girls discuss their plans for Biagini, but Eva seems distracted, somehow.

Matera is all about caves and grottoes. There were many natural caves that were expanded to be used as dwellings and churches, and other man-made grottoes as well.

The "Lettera 22" portable typewriter is selling well, although Mauro isn't in complete agreement about the price. Libero and Teresa make some plans, and Mister Dalmasso comes around again.

Anna tells us about the different varieties of rice found in Italy, and Marika completes the cooking of the risotto.

Two romantic situations. One goes better than expected. The other, a bit less.

Alberto Angela us takes back in time, to a city that came about in a totally different way: splendid Matera in Basilicata. It's definitely worth a trip.

Adriano shows Karen Bates around the new building and she writes her report. The new portable typewriter designed by Libero is finally ready.

Eva and her friends decide that they have to teach Biagini a lesson. Eva goes to see Augusto for a few details.

We leave the Royal Palace of Caserta and head towards Cilento in Campania where there is a huge Benedictine monastery. When we see the term convento, we might assume it is a convent for nuns, but in Italian, un convento can be a religious community for either monks or nuns (or both).

Teresa goes back to the factory, and finds out she has talent. Karen Bates, the American photographer, comes to visit Adriano, and he sees right away how he can involve her in one of his projects.