Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.

In this last segment we find out what happened to Aldo and his wife. We don't know if everyone will live happily ever after, but for now, it's all good.

Our schoolteacher is having trouble on all fronts: with the police, with Sammy's father, with her husband, and with the principal. Sammy is sorry, but that doesn't fix things.

Arianna just got her Marketing degree and is looking for a job. Let's see how she goes about it.

Tamara shows us how she turns out made-to-order boxes and embossed greeting cards in her Rome shop. Polvere di Fata is the shop's name and it means both fairy dust and crafting glitter. Tamara owns it together with her twin sister Tania, and their mother Cinzia.

Mussolini forbade the use of dialects and the minority languages that were spoken in the regions bordering the countries to the north in favor of one language for all. Italians were bombarded by fascist propaganda and Mussolini's very frequent speeches.

Marika, in response to Yabla user requests, begins her 3-part lesson on those pesky little words (Me plus lo, la, li, le, and ne, together with Ti plus lo, la, li, le, and ne), otherwise known as combined pronouns or double pronouns.

Camilla isn't capable of saying no, even when she says no. But she's taking a huge risk for her student, Sammy.

Arianna goes to her job interview. How did she do? Should she have answered any questions differently? Are there some important questions she neglected to ask? Do you think she will get the job?

Tamara shows us the acrylic water-based paints that the family uses to decorate ornaments, frames, and masks, among other things.

Marika covers these super tricky combined pronouns: glielo, gliela, glieli, gliene, and gliele.

Camilla has gotten quite a scare, but fortunately, she's fine. She has two conversations, one with the police inspector and one with her husband.

Arianna is on tenterhooks waiting for the phone call that could change the course of her life. When she can't bear it any longer, the phone rings. No caller ID.

Tamara and Tania show some of the items that can be bought either unfinished or decorated in their shop. They demonstrate the use of glass paints and outline the steps used in decoupage.

The segment looks at how Mussolini patterned his fiercely nationalist rhetoric after poet Gabriele D'Annunzio, while harkening back to the glory of Imperial Rome. The song in the segment refers to Balilla, an 18th century Genoese boy. In 1746, Balilla threw a stone at an Austrian official of the occupying Hapsburg Empire, which led to the War of the Austrian Succession.