The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

Our professoressa finds herself involved in trying to solve the case. She seems to be enjoying it, too.

"Sunshine for Palestine" has set in motion an innovative project for teaching the latest scientific theories to young people, and it has been enormously successful.

Paolo has to gather all his wits to figure out what's happening in the company. He confronts Salmastri, but Salmastri is truly slippery, and not to be underestimated.

We visit the French Academy's gallery devoted to plaster casts of antique sculptures and the large park, which was once used by Ferdinando de' Medici for hunting.

Minivip responds to the distressed pleas of a Russian ballerina, but he's no twinkle toes.

Our teacher is a good sleuth, but cooking is not her strong point, and her Indian sesame breadsticks don't make a huge hit at home, either.

Paolo and Natoli have some unforeseen difficulties getting to the factory, and when they finally do arrive, nothing is as it should be.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.

We suspected that something would happen as a result of Camilla's taking her husband's car, and sure enough... Meanwhile, her husband and daughter are getting ready to leave for the soccer game.

Marika interviews Arianna Manetti, the professional voice-over artist and dubber who narrates the fairy tales featured on Yabla.

Paolo, with the help of Natoli, of course, is able to save the situation, and the workers are truly grateful. He pays a visit to the cemetery to talk to his brother Aldo.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.

In this last segment we find out what happened to Aldo and his wife. We don't know if everyone will live happily ever after, but for now, it's all good.