Oriana goes to see François Pelou and then gets permission to interview the prisoners who had been sentenced to death.

Amalfi's cathedral is one of the best known and most interesting buildings of the entire Amalfi coast. Alberto Angela points out some elements that have clear links to cultures far away, geographically, and in time.

We learn a bit more about Alberto's personal life, as some friends come to see him. Grandpa Libero finally gets to tell his story to Guido, and Annuccia has some pointed questions for her grandma.

Renzo and Camilla discuss their marriage. Marchesi shows up in front of Camilla's house with a passenger on his scooter. Torre shows up at police headquarters with a pile of papers from Rotunno's office.

Oriana finally meets General Loan and interviews the three prisoners.

Our journey takes us to the region of Campania, and to Naples, where we visit one of the oldest theaters still functioning: il Teatro San Carlo.

Guido is at work and finds himself treating an interesting patient. Grandpa Libero is starting a vegetable garden, and Grandma Enrica shows up.

Camilla brings in Luca, but first she discusses the case with Berardi. Of course, she sees something in the letter made up of magazine clippings that the Chief had missed.

Oriana visits an orphanage and it has a long-lasting effect on her that she will never forget.

In the eighteenth centiury, the San Carlo Theater was a magnificent center for opera and culture, and still is today. It's one of the most beautiful theaters in all of Europe.

Ugo tries to explain to Nora why he didn't climb up on the crane at the wedding. In the atelier, there is some gossip about their new client.

Libero and Enrica don't see eye to eye, but in addition to that, Enrica makes allusions she doesn't fully explain, and it leads to more incomprehension. Maria takes Lele Junior to the health center and Guido examines him.

With Camilla's help, the police have figured everything out, almost. One element is still missing.

Oriana has a difficult conversation with General Loan, but manages to get out of the war zone safely. Back in the present day, she tells Lisa more about her time in Vietnam and about her relationship with François.

Rossella tells us how she came to be the solitary inhabitant of a beautiful, abandoned village in Calabria, called either Pentedattilo or Pentidattilo.