Adriano is very happy with how things have been going for the new Olivetti portable typewriter, but his siblings and partners in the business are not so happy. For one thing, they don't like not seeing any of the profits.

Eva's friends can see right away that she is feeling different. It's written all over her face. But she also has an idea for their next caper. At the restaurant, Eva and Dante talk about the previous night, and about whether Lorenzo knows or not.

Matera is all about caves and grottoes. There were many natural caves that were expanded to be used as dwellings and churches, and other man-made grottoes as well.

Teresa and Libero go to the movies together, and things seem great. But Libero has something important to tell her, something she had no idea about.

Eva wakes up happier than Lorenzo does. Later, the girls discuss their plans for Biagini, but Eva seems distracted, somehow.

Alberto Angela us takes back in time, to a city that came about in a totally different way: splendid Matera in Basilicata. It's definitely worth a trip.

Anna tells us about the different varieties of rice found in Italy, and Marika completes the cooking of the risotto.

The "Lettera 22" portable typewriter is selling well, although Mauro isn't in complete agreement about the price. Libero and Teresa make some plans, and Mister Dalmasso comes around again.

Two romantic situations. One goes better than expected. The other, a bit less.

We leave the Royal Palace of Caserta and head towards Cilento in Campania where there is a huge Benedictine monastery. When we see the term convento, we might assume it is a convent for nuns, but in Italian, un convento can be a religious community for either monks or nuns (or both).

Adriano shows Karen Bates around the new building and she writes her report. The new portable typewriter designed by Libero is finally ready.

Eva and her friends decide that they have to teach Biagini a lesson. Eva goes to see Augusto for a few details.

Exploring the gardens further, we come upon a grotto, as well as what looks like an ancient Roman site, replete with original statues. It was all part of Vanvitelli's plan.

We don't want to give away the ending, so let's just say that Giacomo goes back to the cafe where the redhead works and... who shows up, but Mario.

Teresa goes back to the factory, and finds out she has talent. Karen Bates, the American photographer, comes to visit Adriano, and he sees right away how he can involve her in one of his projects.